“ A cat and mouse game with alternating cat and mouse, Walt McGough’s nifty psychological thriller toys with us right from the beginning, nimbly darting in and out of the shadowy worlds of truth vs. fiction, fear vs. confidence, and trust vs. doubt. McGough builds the tension steadily through his well-defined characters; watching these two turning the tables on each other is a nail-biting joy, and oh, what fun they must be to perform. ”

“ A tender gut punch of a play. LeBlanc beautifully captures the conflicting feelings one has while watching a parent slip away, but does it with a quiet determination: there is nothing desperate or angst-ridden about the work – it’s just a conversation between a father and son, which in its own muted way is both lovely and heartbreaking. ”

“ A vibrant mix of youthful, humorous fervor, and seriously realized adult themes; Turco’s use of formalized language not only gives the piece its highly individual style, it also works to heighten the comedy, the tension, and the absurdist nature of the work and the surreal, nightmarish world in which it lives. ”

“ A beautifully elegiac heartbreaker with undercurrents of horror, Rice explores creativity inspired by grief with a soulful precision that is full of sentiment, but never sentimental. The early scenes between William, a writer still struggling with the death of his 8-year-old daughter Miranda decades before, are achingly exquisite; later, when Rice brings us into the world of the book William is writing and we meet Miranda’s alter ego, they terrify – and thrill. Complicated yet concise, lyrical but frightening, this is a ghost story that truly haunts. ”