Recommended by Doug DeVita

  • Barcelona
    24 Jun. 2021
    Oh, I love this play. Mostly because I love Skye, the thoroughly winning protagonist, perfectly and hilariously conceived and written. Driving the delightfully daffy plot forward, she is well matched by her antagonist (Dr. Lionbreath) and her accomplice, the ever patient, hapless but always supportive Milton. This is just so much fun, and damn, now I want to know just what the fudge happened in Barcelona.
  • One is the Road
    24 Jun. 2021
    An excellent example of a stream of consciousness monologue that is cogent, forceful, beautifully written, and unforgettable. What an opportunity for an actor to use these words to take us along with them on this realistic, engaging, and ultimately heartbreaking road trip.
  • The United Plays of America - Nevada - The Loneliest Road in America
    24 Jun. 2021
    A delightful ten minutes that asks big, deep, life changing questions and answers them with ridiculously charming theories, sort of like a distaff “Big Bang…” but less abrasive and brainy, more heartfelt and touching. And funny. Very, very funny.
  • A Man with Nothing to Lose
    23 Jun. 2021
    Purists beware: this is not the “Persuasion” of Jane Austen, bearing little more than a passing resemblance to her early 19th century classic of love lost through ill-advised exhortation. What it is, however, is a fascinating, updated rethinking of the story, set in a dystopian future where the mores are similar – if grungier – but the stakes are much higher than who’s going to be invited to a card game in Lady Dalrymple’s drawing room. An edgy, dark, and risk-taking work that stands on its own two less-than-silk-slipper-shod feet, and one I would love to see staged.
  • Seaside Tragedies
    23 Jun. 2021
    There’s something about a seaside setting that invites a pervasive air of unrest and melancholy, and in this cinematically structured piece from Scott Sickles, the setting merges beautifully with his somewhat uneasy (this time) romanticism; the effect (at least in this early draft) is akin to being in a perpetually dream-like state, mesmerized by the waves rolling in and out. One of Sickles’ more introspective works, he takes great risks with time and place, shifting perspectives incessantly and relentlessly; I can’t wait to see how he develops this, as it is already pretty heady stuff.
  • Road Trip
    20 Jun. 2021
    With archly absurd language and situations, Jan Probst keeps ratcheting up the hilarity while at the same time never losing sight of the troubled relationship at the center of this very funny, yet ultimately touching little gem. Go Mary!!!
  • FOR LOVE OR MONEY (from the MAD FOR MYSTERY Collection)
    20 Jun. 2021
    I listened to the audio version of this play: what a hoot! Lermond’s sure sense of murder mystery plotting and characters makes for a nice, tight, and entertaining script, and to have the luxury of listening to it performed in its wonderfully mounted radio production was an absolute treat.
  • Two Yards of Satan
    20 Jun. 2021
    “Seems like a clunky interjection of social consciousness on the part of the playwright in an otherwise pointless play, but if that’s how she wants to use this platform, ok.”

    Ok, Kelly, you owe me a new keyboard for that one.

    In a play that gets funnier and funnier with every absurd line and situation, when McBurnette-Andronicos crosses over into navel-gazing meta-theatricality and then tops it with the aforementioned line, she goes from the ridiculously funny to the sublime. And she makes you think, at the very least about proofreading anything and everything before you click “send.”
  • Thea & Lily
    20 Jun. 2021
    I love the way Willis sparsely uses language to create mood, tension, and humor in this short play; there’s a lot packed into its 10 pages, yet nothing is overstated; it moves with the swiftness of an unexpected sock to the jaw.
  • Places
    18 Jun. 2021
    Right before my head exploded, my neck was starting to hurt from the constantly surprising plot twisting Martineu employs in this brilliantly meta short play. Read it, savor it, order a neck brace, and produce it.

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