“ Bravo. Or is it Brava? Does it matter? Scott Sickles puts the pretentious claptrap of avant-garde theater in his sites, and his aim never falters. At 15 pages, this is a virtual marathon of pretentious claptrappery, a sharply astute, delightfully funny, inventive, and perfectly meta ode to a style of writing one either loves or hates. It’s Sickles’ supreme achievement that with “Woman In A Pressure Cooker...” one can do both simultaneously. ”

“ Put a gaggle of gays in a room and tell them an iconic gay celebrity will be joining them, stand back, and watch the fur fly. Everyone is right, no one is wrong, but how much responsibility can an icon actually shoulder before they break? That's the premise of Greg Brisendine's sharply observed, wryly truthful polemic; that he has also made this 10-minute play funny is a bonus. ”

“ A heady, fast-moving mix of disturbing, challenging, and fun, Hoke's "Elevator Girl" may very well be the paradigm of the modern well-made play. ”

“ I saw this at Abingdon Theatre Company in 2007, and I’ve never forgotten the wonderful time I had that afternoon. A smart, delightfully dizzy farce, “The Frugal Repast” offers great roles, a great premise, and actual belly laughs while asking an essentially serious question: who has the right to use your image for their own personal gain? It's a question that's become even more relevant, as people snap away with their smart phones and post the photos all over social media. A paint brush and canvas, a pixel and a screen, tomato, tomahto, "The Frugal Repast" is a theatrical feast. ”