Recommended by Doug DeVita

  • Doug DeVita: Three Hours Until Departure

    Stunning monologue that perfectly captures the mounting desperation of a student saddled with oppressive student loan debt, and the lengths to which he’ll go to escape it. A sweeping indictment of both the staggering cost of an education and capitalism in this country, if this is a work in progress, I can only imagine what more Gacinski has in store for us with this piece.

    Stunning monologue that perfectly captures the mounting desperation of a student saddled with oppressive student loan debt, and the lengths to which he’ll go to escape it. A sweeping indictment of both the staggering cost of an education and capitalism in this country, if this is a work in progress, I can only imagine what more Gacinski has in store for us with this piece.

  • Doug DeVita: ACCOMMODATION

    It's no easy trick to present all sides of an argument fairly, and/or engender sympathy for characters who exhibit the heinous behavior nearly everyone in this play does at one point or another. Yet... Burdick pulls it off beautifully in "Accommodation," his infuriating, compassionate, angry, heartbreaking, and revealing exposé of the current, tangled state of education in this country. Burdick asks the hard questions, and wisely does not attempt to answer them completely. Smart work.

    It's no easy trick to present all sides of an argument fairly, and/or engender sympathy for characters who exhibit the heinous behavior nearly everyone in this play does at one point or another. Yet... Burdick pulls it off beautifully in "Accommodation," his infuriating, compassionate, angry, heartbreaking, and revealing exposé of the current, tangled state of education in this country. Burdick asks the hard questions, and wisely does not attempt to answer them completely. Smart work.

  • Doug DeVita: WOMEN, MEN, MONOLOGUES & HATE

    What a hoot! Three massively theatrical egos bat each other around in a hilariously Shakespearean tennis match, each of them upping their game and turning the tables on the other with every monologue, line, and action right up to the twisted end. Wonderfully creative, three great parts, and opportunities for both pathos and comedy on every page. Huzzah!

    What a hoot! Three massively theatrical egos bat each other around in a hilariously Shakespearean tennis match, each of them upping their game and turning the tables on the other with every monologue, line, and action right up to the twisted end. Wonderfully creative, three great parts, and opportunities for both pathos and comedy on every page. Huzzah!

  • Doug DeVita: DARK MATTER- A TEN MINUTE SCI-FI PLAY

    Like all good ‘50s style science fiction, Donald Loftus’ “Dark Matter” starts out innocently enough, and then little by little, something just doesn’t feel right, the paranoia starts to creep in, and the tension builds to a chilling climax. That Loftus achieves this in barely 10 pages is a testament to his ingenuity and talent.

    Like all good ‘50s style science fiction, Donald Loftus’ “Dark Matter” starts out innocently enough, and then little by little, something just doesn’t feel right, the paranoia starts to creep in, and the tension builds to a chilling climax. That Loftus achieves this in barely 10 pages is a testament to his ingenuity and talent.

  • Doug DeVita: The Fable of January and May (adapted from Chaucer's Merchant's Tale)

    This is a wonderful modern riff on Chaucer; funny, saucy, and with a rhyme scheme that often surprises with disarming and charming twists.

    This is a wonderful modern riff on Chaucer; funny, saucy, and with a rhyme scheme that often surprises with disarming and charming twists.

  • Doug DeVita: The Reykjavik Incident

    What a darkly humorous piece; in a mere six pages, Ruben Carbajal makes a strong statement about race relations and the inability to see what’s right in front of one’s eyes. And he does it without preaching — he simply tells his story honestly and without judgment. Great work.

    What a darkly humorous piece; in a mere six pages, Ruben Carbajal makes a strong statement about race relations and the inability to see what’s right in front of one’s eyes. And he does it without preaching — he simply tells his story honestly and without judgment. Great work.

  • Doug DeVita: Here Rests the Heart

    Huge and sprawling. Intimate and focused. And so full of simple truths it hurts. A necessary epic, Brian James Polak's "Here Lies The Heart" is so many things all at once, all of them functioning together as a single, stunning work that speaks for yesterday, today, and tomorrow. This should be on his own list of plays that should be highly recommended, and produced. Everywhere and anywhere there are people who care about the state of their own individual place in the world at large and want to, need to do something about it.

    Huge and sprawling. Intimate and focused. And so full of simple truths it hurts. A necessary epic, Brian James Polak's "Here Lies The Heart" is so many things all at once, all of them functioning together as a single, stunning work that speaks for yesterday, today, and tomorrow. This should be on his own list of plays that should be highly recommended, and produced. Everywhere and anywhere there are people who care about the state of their own individual place in the world at large and want to, need to do something about it.

  • Doug DeVita: wth (Welcome to Hell, Please Choose from the Following Options)

    What a nightmarish, absurd, surreal, and totally engaging mind-fuck. Anyone who's ever been trapped in the quicksand of bad life choices and desperate to find a way out will relate to Preus' work here, and the opportunities for inventive staging abound.

    What a nightmarish, absurd, surreal, and totally engaging mind-fuck. Anyone who's ever been trapped in the quicksand of bad life choices and desperate to find a way out will relate to Preus' work here, and the opportunities for inventive staging abound.

  • Doug DeVita: ONE IN THE CHAMBER

    ONE IN THE CHAMBER is an extraordinary, heartbreaking, and unfortunately necessary work of art. Bravo, Greg Burdick.

    ONE IN THE CHAMBER is an extraordinary, heartbreaking, and unfortunately necessary work of art. Bravo, Greg Burdick.

  • Doug DeVita: LOCATION LOCATION LOCATION: a Very Short Play About Children and Guns

    Horrifying, angry, and unfortunately necessary. Anyone who is against gun control NEEDS to see this play performed. Multiple times if necessary.

    Bravo, Scott. I’m sorry you had to write it.

    Horrifying, angry, and unfortunately necessary. Anyone who is against gun control NEEDS to see this play performed. Multiple times if necessary.

    Bravo, Scott. I’m sorry you had to write it.