Recommended by Doug DeVita

  • The Wooden Heart
    23 Sep. 2019
    Absurdly wonderful, wonderfully absurd, magically heightened language, language heightened magically... Adam Szymkowicz' "The Wooden Heart" is an insanely entertaining twist on the fable/folktale genre, with a beating, flesh and blood heart that keeps the show joyously alive from beginning to end.
  • SNEAKING A PEEK
    23 Sep. 2019
    Sweet, funny, yet trenchant observation of how to age (and how not to) in America today. As always, O’Neill-Butler’s characters are beautifully layered, and I would love to knock back a few bourbons with Gail.
  • Moonlight Over L.A.
    23 Sep. 2019
    Dark, brooding, convoluted yet precise, Ken Love's "Moonlight Over L.A." is a terrific example of film noir style on stage. The characters are all vibrantly alive – even the dead ones – and the atmosphere is heavy with foreboding, as all noir should be. A wonderful read, I'm sure in the hands of a smart director and cast it will be a supremely entertaining evening.
  • Got a Light?
    23 Sep. 2019
    Stand-up comedians have mined their anger and frustration at the inequities of the world to brilliant effect for years, and here we have Joan at the stake, cracking jokes while an inept executioner fumbles to get his lighter to work. That Koppen creates a searing (no-pun intended) indictment of all the societal ills of the past 1,000 years or so by putting jokes in the mouth of one of history's most famous martyrs AND makes it all hilariously funny – in 10-minutes – elevates a clever idea into a dazzling play.
  • Fatberg
    22 Sep. 2019
    Sharply written, there is so much going on under the surface in this play – both figuratively and literally. An excellent work that makes one think, and hopefully, change. Crisp dialogue and engaging characters, too.
  • Becky's Xmas Wish
    22 Sep. 2019
    Sibling rival revelry and dark, dark, dark. What a merrily macabre Christmas comedy, featuring the most horrifying little girl since Rhoda Penmark. I laughed so hard I cried.
  • The Vase
    21 Sep. 2019
    It’s very important for roommates to keep the lines of communication open, especially when it comes to the destruction of personal property, missing rat poison, and a dead landlord. All of which are highlighted in “The Vase,” Maddie Dennis-Yates hilariously black comedy. This one’s a natural for an evening of dark comedy shorts, and boasts two great roles for women.
  • NO NAME: AN ADJUNCT PROFESSOR MONOLOGUE
    21 Sep. 2019
    As a former adjunct professor (over 20 years), reading NO NAME was an acid flashback, a chilling (no pun intended) reminder of how little those who share their expertise in order to educate are regarded. You nailed it, Asher.
  • Waiting for the Birds
    21 Sep. 2019
    An interesting central premise, compelling characters, and Gacinski’s uniquely poetic ability with dialogue make “Waiting For The Birds” a superior addition to the canon of park bench plays. Hauntingly inescapable logic permeates every line, giving the actors much with which to work, and much for audiences to ponder long after the play has ended.
  • Queen of Sad Mischance
    21 Sep. 2019
    In "Queen of Sad Mischance," John Minigan makes the personal story epic, and the epic nature of the story intensely personal. And this may be the greatest strength in a play that is built on strengths: strong themes, strong story, and particularly strong characters. A heartbreaking gem.

Pages