(one-act) LILA and ALEX meet in a coffee shop. Over the next three years (in a single day), they try to form a life together, with all the ups and downs that comes with being in love.

In a loose adaptation of Shakespeare's AS YOU LIKE, AS YOU ARE is a play with music about an apartment community stuck inside trying to find joy in the darkest of situations. Orlando, a recovering addict, struggles to pay rent and "earn" his stay while also trying to woo the artist, Ros who's looking for the perfect moment to catch with her camera. Silvius, a high school teacher, tries his chances with exhausted nurse Phoebe while Audrey, a classically trained musician tries to come to terms with being good but not great. Throughout the play, each character attempts to adjust to a new normal and what it means to find joy in the midst of great loss.

Who gets to be a part of Latinidad? While Valery fights to prove Ximena isn't Cuban, Alia has given up fighting that she is Latine. As the women in this play discover the truth about themselves and each other, they also have to face the internal bias that allowed a white woman to be Cuban but didn't allow a Belizean to call herself Latine.

Very early draft

(early draft) (30-minute play)

Jess is determined to "un-alive" herself. Unfortunately for her, she chose a public park and Ryan, some rando, won't leave her alone.

In a loose adaptation of ALL'S WELL THAT ENDS WELL, friends surprise Helena by throwing her a divorce party. Though the intention is to celebrate being free from a toxic man, the women share a time when they assumed all would end well and the reasons why we accept the love we think we deserve.

(In the spirit of Taylor releasing songs from the vault, I figured I'd do the same with some of my plays)

Facing homelessness and displacement, a family attempts to stay together in a world determined to tear them apart.

(This is a play I gave up on. I want to work on editing it in 2022 and would love a workshop opportunity.)

He did it. They know he did it. But can they ignore his crimes if it means that'll make them famous?

Ada & Lex know Jefferson raped their friend but they need him in order to become a breakthrough. For their show and their dreams to work, they need Jefferson. Ada and Lex must decide if they can alienate their friends for the sake of their careers. And if they can excuse a horrendous crime done by an artistic "genius."

Becca and Ryan run into each other at an airport after not having seen each other for five years. As they work through the awkwardness of seeing each other and catching up on their lives, they navigate what they meant to each other and if they could ever be that way again. (10 min play)

Right before election night, three major political women in US history come to visit Kamala and offer her words of wisdom.

After learning that her friend, Kasey, has been assaulted by a local famous activist, Theresa rushes in to help. The problem is how reliable is Kasey's story and what lines do we draw in regards to what counts as informed consent, assault, and, well, cheating?

(This is a very rough draft. More like an outline that a full draft)

(In the spirit of Taylor releasing songs from the vault, I figured I'd do the same with some of my plays)

In a loose adaptation of OF MICE AND MEN, a group of restaurant workers struggle to escape an abusive restaurant manager and a system that wasn't built for them.

(This is a play I gave up on. I want to work on editing it in 2022 and would love a workshop opportunity.)

Jenna, a law student, and Lely, a struggling adjunct, meet in a hotel room. As they attempt to figure out how they know each other, they dissect what it means to be alive

Rain and Jay try to process a night gone horribly awry the night before Jay's wedding.

CW: This play contains conversations around s*xual assault.

A very loose adaptation of both TWELFTH NIGHT and ORLANDO. As V falls in love with both Orlando and Liv, they have to decide what kind of love they want and who (and how) they want to love and be loved.

(Early draft)

In a metatheatrical play, Saida agrees to go to her partner, Erin's home for a funeral despite knowing that Erin's family is very "woke" and not at all as racist-free as they claim. As the two fight about what it means to be an interracial couple with problematic families, the play explores the various tropes found in the many, many, many white people by the lake plays.