Recommended by Christopher Soucy

Talk about identity crisis. Sickles brings the heat, in more ways than one, to an intimate encounter that raises questions, among other things, about the very nature of attraction. I am always amazed at the precision of Scott’s writing. Surgical, really. He allows us to witness truly vulnerable moments while feeling perfectly safe. A near impossible feat.

Children are true escape artists. The most inescapable, oppressive truths are easily shrugged off with a healthy imagination. John Patrick Bray gives us a peek at the amazing abilities of children in the face of harsh truths. Humor and heart abound.

Wow. This is a pot boiler of a suspense story. Family secrets, betrayal, and the unshakeable feeling of dread. Delivering a balanced comeuppance is a difficult feat that Rachel pulls off with a deft touch. This could easily be a film, and is most certainly a well crafted event for the stage!

This is a hilarious diversion from actually getting the thing done. Christopher Plumridge has taken a simple phrase and turned it into a nightmare scenario. Kudos for the cameos. I would like it to be known, Joe brought this upon his himself. Long live the thing!

A Neverland tour de force! All your favorites, and some fresh faces, giving the fans of Pan a welcome addition to the mythos. Peter Fenton draws us in with a clever alchemy. Mixing the familiar with the boldly original to produce a new classic. As a lifelong fan of Peter, Wendy, Tink, Smee, and Hook, I whole heartedly endorse this tale!

Grief feels like the end. Like the last thing you will ever feel. And any emotion that presents itself just seems like a road to deeper grief. Erika Kuhn captures the angst, the desperation, and the hopeless nature of grief beautifully.

As romantic as the art that was inspired by it, the relationship between Berthe and the Manet boys is frought with delicious tension and subtle tragedy. This is a delightfully witty and beautifully rendered play that begs to be out onstage.

Wow. What a sweet twist. This short play is a cozy ride on a familiar ice cream truck that quite abruptly takes a sharp turn into a decidedly dark place. Brenton Kniess crafts very natural dialogue that reels us in, but we get a sense of the danger. Great fun.

This is a fun show! A twisted and surprising fun show. Brenton Kniess paints a picture of an awkward manic pixie dream girl gone oh so wrong.

This is lovely little gem. There’s something wonderful about casual conversation with deities. Kimberly Murray-Patel manages to slip uncanny depth into otherwise light-hearted fare. Brava.