Elisabeth Speckman sets us up for what feels like a meet-cute romantic comedy, then changes the setup to a dark stalker thriller, then — I don't want to spoil anything here — throws the chess board over and completely shatters our expectations. This is a taut, layered play that would be an actor's delight. This would be a great addition to a 10-minute play festival.
Elisabeth Speckman sets us up for what feels like a meet-cute romantic comedy, then changes the setup to a dark stalker thriller, then — I don't want to spoil anything here — throws the chess board over and completely shatters our expectations. This is a taut, layered play that would be an actor's delight. This would be a great addition to a 10-minute play festival.