A beautiful concept Malakhow plays around with in “Emergency Contact” is weening the audience onto the dramatic material that inevitably envelops this play. At first you’re laughing, and soon enough, you’re crying. Malakhow has such a tight grasp of language and character creation, it’s impossible to not feel for these characters, especially Manny.
A beautiful concept Malakhow plays around with in “Emergency Contact” is weening the audience onto the dramatic material that inevitably envelops this play. At first you’re laughing, and soon enough, you’re crying. Malakhow has such a tight grasp of language and character creation, it’s impossible to not feel for these characters, especially Manny.