Recommended by Chris Gacinski

Once again, Larry Rinkel displays his vast knowledge of Chaucer’s “Canterbury Tales,” and his knowledge of theatrical structure in “Canterbury Sextet.” This feels like Chaucer adapting his work to stage, if he lived in the present, of course. Each section of this piece seamlessly transitions to the next, and feels like one cohesive work. If you’re a fan of British Literature and writing chops, Rinkel incorporates both beautifully in this piece.

Max Gill’s provocative ideas and writing style really come through in “The Mimosa War.” These vibrant characters Gill created tell a humorous yet chilling tale of what Manhattan could look like down the line. Dystopian, absurdist, with a tinge of dark comedy, this piece is a surefire hit with the right creative team behind it.

At this point, I think Max Gill could write about anything and make it work. He has such a precise and distinguishable writing style that can make even the heaviest topics palatable, and “Pale Revelry” is no exception. Painfully current and humanistic in nature, “Pale Revelry” will one day be an amazing period piece that others will look to.

Philip Middleton Williams once again portrays modern society’s response to this virus in his bittersweet style. Williams will make you laugh, make you cry, and make you think in fifteen pages. A strong piece from a strong writer.

A toy aisle and paired with thought-provoking dialogue equates to a didactic experience in this sharp 10-minute piece. Weibezahl’s Doll’s teaches the audience through three moms purchasing dolls for their kids, and their ideals become transparent as the piece progresses. A flawless idea executed flawlessly.

Emma Goldman-Sherman holds nothing back in “FUKT,” a play that builds in tension and complexity as the piece progresses. These characters were constructed with utmost care, and Goldman-Sherman clearly articulates the necessity for the subject matter, which is bolstered by her incorporation of dark comedy. Brave, poignant and important, “FUKT” is a play that deserves the spotlight.

After reading the Miller’s Tale in my British Literature course, I’ve always wondered what a modern adaptation would look like, and Rinkel answers that with “The Carpenter, the Flood, and the Fart.” Rinkel clearly has a talent for incorporating verse into his plays, and this is no exception. Knowledge of the source material would enhance one’s experience of this piece, but can still be enjoyed by all due to the humor and structure of this piece. Chaucer is smiling down on you, Mr. Rinkel. You did his piece justice.

Cross’s “Wonder of Our Stage” is unlike any period piece I’ve read. What if one of humanity’s greatest writers wasn’t a human, but a robot? What makes us human? Cross answers all these questions and more in “Wonder of Our Stage.” Cross’s addition of literary allusions makes this a great play for the bookworm in you. Interesting, unique and engaging!

Philip Middleton Williams accomplishes a lot in this short play. It starts lighthearted then progresses into a poignant commentary of what’s happening right now. Excellent work, Philip!

After finishing “Rattler,” it certainly lives up to its title. Adams utilizes her talent of carefully crafting dialogue that immerses the audience in a rattling scenario which we follow with full attention. An exploration of morality, society’s perception of sexual assault. Overall, “Rattler” is an important piece of theatre that should be read and staged. Actors and directors looking for a powerful piece should look no further than “Rattler.”