Recommended by Nora Louise Syran

Leave it to Scott Sickles to create a character who announces they're unable to survive and then watch them thrive, despite themselves! As Sickles does, seamlessly moving through genres. He instills in his character modesty and humanity and renders him/her universal. Sickles and the super cold read by Miranda Jonte of Backporch Theater held my attention from start to finish. Fine work. Bravo.

Caught the Tiny_Theatre reading of this short play. A great blend of the modern day world and Irish folklore. A mini classic!

It was a real privilege to grow up with these two young women. Kantor's voice is full of goodness, humor, and warmth blended with real pain, as she guides her characters through the inevitable tumble into experience and the corresponding loss of innocence...and yet, there's hope. I loved it. I appreciate the natural shifts in the young children's logic, the perspective of a kindergarten teacher, and the relative safety of the bathroom/toilet/stalls. A well-paced, timely piece. There is much to commend it. I want to see this on stage. Now.

If we only had minutes left....a delightful and funny but also harrowing look at a couple and the "tragic" push of an outside force, forcing change. Super pace, dialogue, physical action... Love the open-ended, non-ending of it all!

Christopher, you naughty boy, you! The stage business is clear enough to make for laughs yet open enough to leave a director free to make some fun staging choices.

A super spin on the Medusa myth. Easy to stage and great fun for the costume and lighting designer. Love how "ability" is interpreted and is all a matter of perspective. Cannot wait to see what happens when the daughter goes to university!

Absolutely hilarious. Love the warmth and love that permeates the piece. They ARE great parents. Super!

Hunt weaves relatable characters and natural dialogue into a heart-breaking story that speeds by, sweeping us along with it. Some great details. I hope Nick picked up a "get out of jail free" free card for the moment when he is able to fully free himself.

Dr Who meets Fantasy Island (1970s) and order is restored to the universe! Feeney-Williams offers believable characters, simple staging and characters you can’t help but root for—even Oscar, who is going to learn the hard way, the railway!

I was fortunate to catch the Back Porch online workshop of this well-crafted monologue; good emotional range for an actor and a beautiful cyclical structure without a sense of entrapment—wholly freeing. Bravo.