Recommended by Nora Louise Syran

  • Nora Louise Syran: Good Boy?

    This is the fourth play in Rachel Feeny-Williams's collection "My Chatter" and it's so much fun! It reminds me of the French film "Didier" by Alain Chabat but is even funnier! Well done! We root for all of the characters --four footed and bipeds alike-- and that's how it should be!

    This is the fourth play in Rachel Feeny-Williams's collection "My Chatter" and it's so much fun! It reminds me of the French film "Didier" by Alain Chabat but is even funnier! Well done! We root for all of the characters --four footed and bipeds alike-- and that's how it should be!

  • Nora Louise Syran: Emotionless

    This is the third play in Rachel Feeny-Williams's collection "My Chatter" -- my chatter indeed! and boy does her husband miss it once it's gone. A fun premise, well executed. Brava!

    This is the third play in Rachel Feeny-Williams's collection "My Chatter" -- my chatter indeed! and boy does her husband miss it once it's gone. A fun premise, well executed. Brava!

  • Nora Louise Syran: The Meeting

    This is the first play in Rachel Feeny-Williams's collection "My Chatter" and it starts her short comedy play collection off with a bang! I particularly appreciated the theatre focus of the piece. It focuses on the "character" Rachel (hmmm...) and her drive to stay true to herself, her writing. Why is it some people who are so good with words socially find themselves with foot-in-mouth syndrome?! Funny!

    This is the first play in Rachel Feeny-Williams's collection "My Chatter" and it starts her short comedy play collection off with a bang! I particularly appreciated the theatre focus of the piece. It focuses on the "character" Rachel (hmmm...) and her drive to stay true to herself, her writing. Why is it some people who are so good with words socially find themselves with foot-in-mouth syndrome?! Funny!

  • Nora Louise Syran: Better

    Get ready to be fully immersed in a meat-processing plant with a lot more to it than first meets the eye. The evolution of the characters is wholly unexpected and yet inevitable. This is only my second reading of Vince Gatton's work and certainly not my last. He is an American playwright who exhibits "...a fierce moral sensibility which is unquenchable...he is... burning with some anger at the way the world is"-A Miller. Bravo!

    Get ready to be fully immersed in a meat-processing plant with a lot more to it than first meets the eye. The evolution of the characters is wholly unexpected and yet inevitable. This is only my second reading of Vince Gatton's work and certainly not my last. He is an American playwright who exhibits "...a fierce moral sensibility which is unquenchable...he is... burning with some anger at the way the world is"-A Miller. Bravo!

  • Nora Louise Syran: The Ammo Box

    What I appreciate about Joe Swenson's writing is that it's absolutely honest, frank and (seemingly) without artifice. So much darkness and so much light. Cycles of pain throughout the centuries and yet also the constant sources of light and healing. You've sparked many memories in your readers, of that I am sure. A touching piece.

    What I appreciate about Joe Swenson's writing is that it's absolutely honest, frank and (seemingly) without artifice. So much darkness and so much light. Cycles of pain throughout the centuries and yet also the constant sources of light and healing. You've sparked many memories in your readers, of that I am sure. A touching piece.

  • Nora Louise Syran: Storm on Storm

    A walking pathetic fallacy! Loved it. Witty banter juxtaposed with real warmth despite the cold atmospheric weather throughout. Well done!

    A walking pathetic fallacy! Loved it. Witty banter juxtaposed with real warmth despite the cold atmospheric weather throughout. Well done!

  • Nora Louise Syran: Protocols

    Gatton moves naturally from a toilet paper shortage to a seemingly clueless sibling’s questions on protocol to something wholly unnatural—never missing a beat. I came across this play performed by the author and Mirande Jonte on “Back Porch Theater”. A ten minutes well spent!

    Gatton moves naturally from a toilet paper shortage to a seemingly clueless sibling’s questions on protocol to something wholly unnatural—never missing a beat. I came across this play performed by the author and Mirande Jonte on “Back Porch Theater”. A ten minutes well spent!

  • Nora Louise Syran: SANCTITY

    Lovely and heart-wrenching. Emotional and stark. Effective shifts between time, place and the blending of atmospheres, and memories. Strong female roles, especially Eileen as she navigates her way through her promise to our system of justice and her own mourning process. Superb.

    Lovely and heart-wrenching. Emotional and stark. Effective shifts between time, place and the blending of atmospheres, and memories. Strong female roles, especially Eileen as she navigates her way through her promise to our system of justice and her own mourning process. Superb.

  • Nora Louise Syran: HAMLET IN ANTARCTICA

    "Interesting." "Well..." it definitely isn't Hamlet "performed by a group of chickens roaming in a field in Uzbekistan" but Hamlet on Ice could very well be the way forward in this topsy-turvy "incomprehensible shitty Shakespeare crap" world we're living in. Love the characters who say so very little and thereby say so much. Great fun!

    "Interesting." "Well..." it definitely isn't Hamlet "performed by a group of chickens roaming in a field in Uzbekistan" but Hamlet on Ice could very well be the way forward in this topsy-turvy "incomprehensible shitty Shakespeare crap" world we're living in. Love the characters who say so very little and thereby say so much. Great fun!

  • Nora Louise Syran: The Village Bakehouse - A Script In A Day

    Great fun. The broken fourth wall throughout adds to the freaky French hamlet feel. Favorite line: "...even though the constable’s third daughter was available with an heir ready to pop."

    Great fun. The broken fourth wall throughout adds to the freaky French hamlet feel. Favorite line: "...even though the constable’s third daughter was available with an heir ready to pop."