Recommended by John Busser

  • John Busser: Babies React To...

    This happened to me (at least the first part.) I shaved my beard once and the girl I was dating burst into tears when she saw me. So I totally related to this piece. But then in the second half, things take a mean turn. And this is totally believable stuff. DC Cathro has struck a nerve here that resonates. Social media is a trigger waiting to be pulled and this play illuminates that in no uncertain terms. And you have to wonder, who's the real baby here?

    This happened to me (at least the first part.) I shaved my beard once and the girl I was dating burst into tears when she saw me. So I totally related to this piece. But then in the second half, things take a mean turn. And this is totally believable stuff. DC Cathro has struck a nerve here that resonates. Social media is a trigger waiting to be pulled and this play illuminates that in no uncertain terms. And you have to wonder, who's the real baby here?

  • John Busser: LOOKING FOR SEASONAL WORK (a 10 minute comedy)

    Who knew Christmas might be coming this way... Marj O'Neill-Butler gives us a true present in this darkly funny look at what goes on with a Mr and Mrs looking for who's nice and who's really naughty and what getting on THAT list means. I would love to see this play stuffed in between a bunch of holiday cheery pieces and watch the audience's faces when they catch on to what's really happening around the North Pole.

    Who knew Christmas might be coming this way... Marj O'Neill-Butler gives us a true present in this darkly funny look at what goes on with a Mr and Mrs looking for who's nice and who's really naughty and what getting on THAT list means. I would love to see this play stuffed in between a bunch of holiday cheery pieces and watch the audience's faces when they catch on to what's really happening around the North Pole.

  • John Busser: CHOP SUEY, a one act play

    D Lee Miller certainly captures the voices of the two sisters arguing over a dress at a time when society was redefining it's mores in this delightful little slice of life play. I loved the interjection of the waitress character as well to spice things up a little. The dialogue is reminiscent of the old comedies of the 30's in parts, but there's more substance underlying the text which gives this play its heart.

    D Lee Miller certainly captures the voices of the two sisters arguing over a dress at a time when society was redefining it's mores in this delightful little slice of life play. I loved the interjection of the waitress character as well to spice things up a little. The dialogue is reminiscent of the old comedies of the 30's in parts, but there's more substance underlying the text which gives this play its heart.

  • John Busser: The Menu

    Oof! This one hit some bleak places. I really liked it! I don't necessarily get pulled to dark stories but this one intrigued me from the get-go. Death by Menu choice is inspired and I loved the dilemma that Chris faces being told to choose not only the method of death (and really, who among us COULD make that choice) but the time as well - instantly versus a drawn out illness is no kind of choice. I think this could provide a very thought provoking production.

    Oof! This one hit some bleak places. I really liked it! I don't necessarily get pulled to dark stories but this one intrigued me from the get-go. Death by Menu choice is inspired and I loved the dilemma that Chris faces being told to choose not only the method of death (and really, who among us COULD make that choice) but the time as well - instantly versus a drawn out illness is no kind of choice. I think this could provide a very thought provoking production.

  • John Busser: The Cardinal

    We DO see what we WANT to see, don't we? That's the idea I got from this lovely play from DC Cathro. A widow still struggling with not only the loss of her husband, but her son's sexuality is trying to make sense of her world in the only way she knows how, by attributing a random chance occurrence with a rare bird as a sign from Heaven. Her son bursts that bubble but then goes on to provide comfort to her in a way that, in a way, soothes her worries and strengthens their bond. Positively uplifting.

    We DO see what we WANT to see, don't we? That's the idea I got from this lovely play from DC Cathro. A widow still struggling with not only the loss of her husband, but her son's sexuality is trying to make sense of her world in the only way she knows how, by attributing a random chance occurrence with a rare bird as a sign from Heaven. Her son bursts that bubble but then goes on to provide comfort to her in a way that, in a way, soothes her worries and strengthens their bond. Positively uplifting.

  • John Busser: DoorDashed

    Like a mini time capsule of 2020, the big picture of what was going on is background to what Emily McClain wants us to focus on, the budding relationship between a delivery man and a young woman customer. The connection between them builds over the course of the play in a very realistic yet hopeful manner culminating in a porch stoop dinner for two as masks come down and expectations come up. It's really lovely.

    Like a mini time capsule of 2020, the big picture of what was going on is background to what Emily McClain wants us to focus on, the budding relationship between a delivery man and a young woman customer. The connection between them builds over the course of the play in a very realistic yet hopeful manner culminating in a porch stoop dinner for two as masks come down and expectations come up. It's really lovely.

  • John Busser: Head Spin

    Part confession, part interview, Head Spin will make the audience's do just that. Seeing a women who the public thinks has it all, lay bare her actual experience and the traumas that paid for her rise to fame, is sobering to watch. There's always a price to pay, and Amelia has more than done so. That she wants to make sure others don't have to is both noble and sad. This is a powerful play about the seedy aspect of success.

    Part confession, part interview, Head Spin will make the audience's do just that. Seeing a women who the public thinks has it all, lay bare her actual experience and the traumas that paid for her rise to fame, is sobering to watch. There's always a price to pay, and Amelia has more than done so. That she wants to make sure others don't have to is both noble and sad. This is a powerful play about the seedy aspect of success.

  • John Busser: NAMING JESUS

    Here's my expert review... HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA.

    Oh yes, also, HAHAHAHAHA.

    Here's my expert review... HAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHAHA.

    Oh yes, also, HAHAHAHAHA.

  • John Busser: I've Seen the Future, Baby

    Although couched in flim-flam, the fortune teller character from Kevin King's entertaining monologue actually says some brighter-than-you-might-think things to the audience, and thus, comes across as a more entertaining character than at first glance. A little bit of truth makes any chicanery seem authentic, and this comes across here in spades. A great little role for any actor.

    Although couched in flim-flam, the fortune teller character from Kevin King's entertaining monologue actually says some brighter-than-you-might-think things to the audience, and thus, comes across as a more entertaining character than at first glance. A little bit of truth makes any chicanery seem authentic, and this comes across here in spades. A great little role for any actor.

  • John Busser: Textual Abuse

    Wow, that escalated quickly, but oh so realistically. Cindi Sansone-Braff perfectly hits the mark with this one-sided conversation with two people. Watching the meltdown of the character IMATNT as they can't understand the apparent ghosting by IMA2T2T was fascinating, if a little unsettling. This sort of interaction plays out all the time in real life, and not usually in as entertaining a fashion. I think it interesting that the writer notes this can be played out multiple times on the same night with unusual pairings. It might be fun to see the dynamics change with the actors.

    Wow, that escalated quickly, but oh so realistically. Cindi Sansone-Braff perfectly hits the mark with this one-sided conversation with two people. Watching the meltdown of the character IMATNT as they can't understand the apparent ghosting by IMA2T2T was fascinating, if a little unsettling. This sort of interaction plays out all the time in real life, and not usually in as entertaining a fashion. I think it interesting that the writer notes this can be played out multiple times on the same night with unusual pairings. It might be fun to see the dynamics change with the actors.