Recommended by Tom Moran

  • Tom Moran: This is Government

    What an absorbing play. Using a claustrophobic locked-down Capitol hill office as a backdrop, Kissinger creates a piece that is part comedy, part thriller, and part reflection on American governance and the limits of youthful idealism. And sandwiched in between the many great punchlines, she even manages the difficult job of humanizing people who besiege their elected representatives with nonstop bitter commentary. I was sad to miss this relentlessly entertaining piece at the Valdez Theatre Conference and am glad it's here on NPX.

    What an absorbing play. Using a claustrophobic locked-down Capitol hill office as a backdrop, Kissinger creates a piece that is part comedy, part thriller, and part reflection on American governance and the limits of youthful idealism. And sandwiched in between the many great punchlines, she even manages the difficult job of humanizing people who besiege their elected representatives with nonstop bitter commentary. I was sad to miss this relentlessly entertaining piece at the Valdez Theatre Conference and am glad it's here on NPX.

  • Tom Moran: Schroedinger: Into the Quantumverse

    (seen at the 2024 Valdez Theatre Conference) A Rand Higbee play through and through: clever, engaging, and possessed of a certain winning earnestness that hearkens back to less cynical times. It's also quite funny, based on a novel conceit that builds on itself over the course of the piece and leads to a charming conclusion.

    (seen at the 2024 Valdez Theatre Conference) A Rand Higbee play through and through: clever, engaging, and possessed of a certain winning earnestness that hearkens back to less cynical times. It's also quite funny, based on a novel conceit that builds on itself over the course of the piece and leads to a charming conclusion.

  • Tom Moran: The King in Yellow

    I saw this at the Valdez Theatre Conference (well, a recording of it anyway) and richly enjoyed its mix of humor, drama, and the macabre. Soucy deftly manipulates tone as a lighthearted piece about a community theatre production slowly degenerates into a descent into madness. It's maybe the closest thing to a Twilight Zone episode I've seen on stage, and I mean that as a compliment. Kudos also for writing a 3-act play in this day and age; read the play and it will be clear why a 3-act structure is both necessary and immensely rewarding.

    I saw this at the Valdez Theatre Conference (well, a recording of it anyway) and richly enjoyed its mix of humor, drama, and the macabre. Soucy deftly manipulates tone as a lighthearted piece about a community theatre production slowly degenerates into a descent into madness. It's maybe the closest thing to a Twilight Zone episode I've seen on stage, and I mean that as a compliment. Kudos also for writing a 3-act play in this day and age; read the play and it will be clear why a 3-act structure is both necessary and immensely rewarding.

  • Tom Moran: we're all athletes (short version)

    A marvelous take on sports commentators, football(ish), existentialism, and the apocalypse. I had the privilege of hearing this read at the Valdez Theatre Conference and it truly shined in performance - the contrast between the forced enthusiasm of traditional sports talk delivery and the baked-in dread of the play's content creates a heady soup of humor and mystery. Makes for a great fit in an evening of plays (and is indeed deliberately structured to do so.)

    A marvelous take on sports commentators, football(ish), existentialism, and the apocalypse. I had the privilege of hearing this read at the Valdez Theatre Conference and it truly shined in performance - the contrast between the forced enthusiasm of traditional sports talk delivery and the baked-in dread of the play's content creates a heady soup of humor and mystery. Makes for a great fit in an evening of plays (and is indeed deliberately structured to do so.)

  • Tom Moran: An Audience of One

    I saw this read at the Valdez Theatre Conference and greatly enjoyed it. It's clever central conceit makes for a briskly-staged play that accentuates the banality of everyday conversation and the superficial nature of our daily interactions, a trope which is rammed home in the play's sole pointed monologue. An experiment in form with a worthwhile payoff.

    I saw this read at the Valdez Theatre Conference and greatly enjoyed it. It's clever central conceit makes for a briskly-staged play that accentuates the banality of everyday conversation and the superficial nature of our daily interactions, a trope which is rammed home in the play's sole pointed monologue. An experiment in form with a worthwhile payoff.

  • Tom Moran: The Bride in Blackout

    A fun short piece based around clever staging that both reflects and amplifies the theme. I enjoyed seeing it read (at the Valdez Theatre Conference) and I expect it would really shine (so to speak) in a full production.

    A fun short piece based around clever staging that both reflects and amplifies the theme. I enjoyed seeing it read (at the Valdez Theatre Conference) and I expect it would really shine (so to speak) in a full production.

  • Tom Moran: Red River Falls

    I caught this inventive and absorbing play at the Valdez Theatre Conference and was immediately hooked. Its central conceit is novel and fascinating, serving as a jumping-off point for an introspective full-length that is equal parts mystery, comedy, and philosophical treatise, and is both universal in nature and steeped in time and place. Well worth seeking out.

    I caught this inventive and absorbing play at the Valdez Theatre Conference and was immediately hooked. Its central conceit is novel and fascinating, serving as a jumping-off point for an introspective full-length that is equal parts mystery, comedy, and philosophical treatise, and is both universal in nature and steeped in time and place. Well worth seeking out.

  • Tom Moran: The Abundance

    I had the privilege of seeing "The Abundance" at the Valdez Theatre Conference and found myself completely absorbed by its dark and surreal takedown of multi-level marketing. It's simultaneously a character-driven, piercing look at how MLM's prey on the socially disconnected, deflated and bored, and a bizarre dark comedy centered on an anthropomorphic, disconcertingly sexual bottle of MLM snake oil. You'll never look at your one strident product-touting Facebook friend the same way again.

    I had the privilege of seeing "The Abundance" at the Valdez Theatre Conference and found myself completely absorbed by its dark and surreal takedown of multi-level marketing. It's simultaneously a character-driven, piercing look at how MLM's prey on the socially disconnected, deflated and bored, and a bizarre dark comedy centered on an anthropomorphic, disconcertingly sexual bottle of MLM snake oil. You'll never look at your one strident product-touting Facebook friend the same way again.

  • Tom Moran: A Visit from Santa Claus

    An interesting mix of light family drama, Dickensian holiday self-reflection, and some traditional Santa tropes, "Visit" is something of a grand tour through the holiday, structured around an homage to "'Twas the Night Before Christmas." Guaranteed to generate a warm fuzzy for anyone with a fondness for the Christmas season, and to generate some laughs and smiles along the way.

    An interesting mix of light family drama, Dickensian holiday self-reflection, and some traditional Santa tropes, "Visit" is something of a grand tour through the holiday, structured around an homage to "'Twas the Night Before Christmas." Guaranteed to generate a warm fuzzy for anyone with a fondness for the Christmas season, and to generate some laughs and smiles along the way.

  • Tom Moran: The Devil And The Candlemaker

    Had the pleasure of acting in this piece at the Valdez Theatre Conference and greatly enjoyed it. It tackles modern issues (religious speech, entertainer/politicians) but feels very much timeless; it's shambolic, large-cast nature and indeterminate setting all give it the feel of a play put on by a traveling troupe in some undisclosed boondocks. Equal parts funny and chilling, it really does feel like a play for our times, and for all other times as well. Would be very fun to stage.

    Had the pleasure of acting in this piece at the Valdez Theatre Conference and greatly enjoyed it. It tackles modern issues (religious speech, entertainer/politicians) but feels very much timeless; it's shambolic, large-cast nature and indeterminate setting all give it the feel of a play put on by a traveling troupe in some undisclosed boondocks. Equal parts funny and chilling, it really does feel like a play for our times, and for all other times as well. Would be very fun to stage.