“ A Kafkaesque roller-coaster through a job interview that goes from seeming like a home run to a dud in no time, with our hapless interviewee watching her chances at a job ebb inexplicably down the drain. A nice two-hander that shows that even if you do everything right, some people can't be pleased. Honestly, Audrey seems like she dodged a bullet. ”

“ The art of speaking in iambic pentameter can feel daunting to neophytes and maddeningly obvious to more experienced actors, and Samantha Marchant brilliantly explores this notobviousobvious process by writing a central character with an unexpectedly different metrical name. The emphasis that you don't pronounce Zoé in the same way you pronounce Zoë is a subtle yet impactful way in to the structural mysteries of Shakespeare, and here we have three very distinctive, wonderful characters all jockeying for position in Juliet's first scene of R+J. Wonderfully imaginative and very effective. ”

“ A delightful, lightning-quick meta play where actors are unable to move without permission from the stage directions, which become increasingly outlandish, until the actors rebel against them. Fast, fun, and knowing. ”

“ A fearless, sharp-as-a-whip farce that follows a medieval French criminal trial designed to prosecute a murderous, mouthy pig. Like, the animal. Jacobi builds a world that is self-aware and hilarious, taking the time to follow the multi-day trial and its inevitable outcome, with a deft wit and brilliant character choices. This one's a gem. ”