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John Mabey

Recommended by John Mabey

  • The Snake on the Steering Wheel by DC Cathro
    2 Feb. 2021
    “ In 'The Snake on the Steering Wheel,' DC Cathro has written a wonderful short play that explores intersecting identities incredibly well. An elderly same-sex couple is grappling with implications of memory loss at the same time as examining their own relationship and the complicated issue of marriage for longtime queer couples. Heartbreaking and touching, with comedy too, this short play would make a great addition to play festivals. ”
  • That Word (one minute version) by Mark Harvey Levine
    2 Feb. 2021
    “ This 1-minute gem from Mark Harvey Levine takes you places you'd never expect. In THAT WORD, a common occurrence erupts in comedy gold and with an ending that leaves you absolutely cursing for more. ”
  • BLUETOOTH by Liz Dooley
    2 Feb. 2021
    “ In BLUETOOTH, Liz Dooley has crafted such a compelling piece of theatre. From the first lines we're transported into this world where so much is revealed through the one-sided call and not one word is wasted. The history is so clear between these fathers and the urgency of the call propels this piece forward at an exciting pace. ”
  • A Single F*cking Retweet by Imani Vaughn-Jones
    2 Feb. 2021
    “ There are many things I enjoy about the writing of Imani Vaughn-Jones, and in 'A Single F*cking Retweet' it's especially the emotional truth and honesty of the dialogue. The characters are incredibly vivid and real, and their connection/past history very clear. The retweet itself opens the world of the play to racism, signaling support vs activism, and even the burdens placed on teachers. And the final lines provide a satisfying ending while also taking my imagination to what happens next. ”
  • It's an Espresso Drink with Foamy Steamed Milk by Steven G. Martin
    2 Feb. 2021
    “ It's the little things in life that bring us so much joy to complain about. And in this clever short by Steven Martin, you just might recognize a little too much of yourself, too. With just a couple minutes to doom, these characters lament over Tuesdays in high comedy while also illustrating some of the ways in which we all cope (for better or worse). A delightful addition to short play festivals! ”
  • I WILL NEVER PLAY HAMLET by Paul Smith
    1 Feb. 2021
    “ This beautiful monologue takes you on a journey of desire and longing, but with an edge of comedy that elevates it beyond a typical genre. Paul Smith's, I WILL NEVER PLAY HAMLET, is layered with emotional honesty and authenticity, and a perfect monologue for an older actor looking to portray complex emotions as a finely crafted character. ”
  • The People You Meet in Heaven by Lisa Dellagiarino Feriend
    1 Feb. 2021
    “ This one-page play was a real treat! Lisa Dellagiarino Feriend reveals what actually happens when you're trying to impress people and the disappointment that ensues. Only this time, everyone's in for a surprise. ”
  • TAP. TAP. TAP. by Jack Levine
    1 Feb. 2021
    “ Jack Levine is masterful with adding a touch of comedy to any situation. And in 'TAP. TAP. TAP.' he's crafted a suspenseful and spooky play with an ending you won't expect. Also the ability to perform this play on Zoom provides for so much convenience as well as creativity with backgrounds and sound effects. And great roles for older performers, too! ”
  • Hesperides: Guardians of the Golden Apples by Emily McClain
    1 Feb. 2021
    “ Emily McClain has created such a rich world combining Greek mythology and comedy in this struggle to reclaim one's destiny. Especially powerful are the moments of levity in this dangerous, mythological world that provide each character with an even greater sense of humanity. Whether you're fond of Greek mythology or just enjoy a captivating story, this play offers intrigue and compelling characters who collide on a path to living authentically. ”
  • the humans are all wearing muzzles now - Monologue by Elisabeth Giffin Speckman
    1 Feb. 2021
    “ This is such a delightful and clever monologue filled with layers of meaning. Our mask-wearing world today as seen through the more innocent eyes of a dog - and yet with such keen and sharp observations. Elisabeth Giffin Speckman creates so much character in such a short piece that is both dramatic and charming. ”

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