Recommended by John Mabey

  • Arbor Falls
    8 Nov. 2022
    There's an amazing moment in this play that made me gasp and close my eyes to imagine the ways in which it could be staged, and there were many ways. In ARBOR FALLS, I connected so deeply with the shape of spirituality in the lives of these characters. Caridad Svich presents the dialogue in such poetic and creative ways throughout, giving those reading the text an extra layer of meaning to incorporate into their performance and our imaginations. This is a play that will stay with me and continue to reveal even deeper meanings the more I reflect.
  • The Ultimate Christmas Question
    27 Oct. 2022
    In THE ULTIMATE CHRISTMAS QUESTION, Rachel Feeny-Williams explores all the wonderful awkwardness of a blind date at Christmastime. As the two explore their tastes in films of the season, their differences escalate into an ending that's both satisfying and deserving of its own 'Christmas moment.' The great rhythms of the dialogue also make this a wonderful piece for performers to showcase a variety of emotions with plenty of laughs along the way.
  • The Hobby Haunting
    27 Oct. 2022
    In THE HOBBY HAUNTING, Rachel Feeny-Williams showcases inspired staging and characters in a fantastical comedy. Exploring grounded themes of relationships and individual purpose, the heightened characters and situations give so much room for play as well. And the four quadrants of staging are both creative and functional as the play progresses toward its satisfying end.
  • The Assumption of Love
    20 Oct. 2022
    Inspiration for plays comes in many forms, and in THE ASSUMPTION OF LOVE, Debbie Lamedman has found hers in a painting by Edward Hopper. With poignant dialogue and unexpected characters, the play reveals itself in emotional layers that feel so authentic to the era. The tone of the play is both delicate and bold, packed with subtext and an ending that draws you back into the painting itself. A beautiful interpretation of the painting that creates an even greater art.
  • WATER MUSIC, a ten-minute drama
    7 Oct. 2022
    Strangers who meet and impact each other’s lives are some of the most powerful stories. And in WATER MUSIC, Arianna Rose presents an encounter that reveals itself in poignant layers, each unexpected moment leading to the next. This is a special piece with heart, humor, and especially honesty. The characters will definitely stay with me.
  • Hospice: A Love Story
    21 Sep. 2022
    The ways a family will cope with grief before, during, and after someone's death are complex and varied. And in HOSPICE: A LOVE STORY, Elizabeth Coplan explores the relationship between 2 sisters in the day after their mother has died, where memory and grief collide. Handled so expertly with empathy and insight, this poignant comedy flows with dialogue that is both incredibly natural and poetic. And the result is a play that entertains and heals all at once.
  • hometown
    25 Jul. 2022
    Some plays defy categorization and become something new upon a second read and beyond. In 'hometown,' Miranda Jonte has crafted such an layered and visceral piece of theatre that feels both experimental and so familiar at the same time. A play about so much including romantic love, self-love, as well as love of place. It would be an absolute treat to watch different iterations of this directed for the stage.
  • My Life as a Teenaged Tamagotchi: A Monologue
    25 Jul. 2022
    There's power in sharing an experience, and it can be transformative even if things aren't exactly what they seem. In this monologue from Cole Hunter Dzubak, one person's daily routine as a type 1 Diabetic takes its toll, and meeting a stranger ends-up affecting more than their outlook. Well-done, and it's wonderful to see more stories around Type 1 as well.
  • Oyster Stuffing (One Act)
    25 Jul. 2022
    There's a sense of both comfort and danger in depictions of family gatherings, and in OYSTER STUFFING by Paul Donnelly, we're treated to even more. The revelations are well paced and earned in this one act that follows a fractured family with divisions that aren't always clear to the outside world. Paul's dialogue is sharp and nuanced, especially between the two sisters at the start of the play, combining moments of comedy with poignant drama. A true delight for performers to bring alive on stage.
  • Antagonism, or, Some People Like to P*ss in the Pool [a 1-minute play]
    25 Jul. 2022
    There's a wonderful playfulness to Steven G. Martin's work and this monologue physicalizes beautifully the art of 'showing' as well as 'telling.' So often we reveal ourselves in what we say, but what we actually do (and in this case, how we respond) is just as telling.

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