Karl O'Brian Williams

Karl O'Brian Williams

Karl O’Brian Williams is a Jamaican-born actor, playwright, producer, and educator. His acting career has taken him from stages in the Caribbean to those in New York, Toronto, and the United Kingdom. In 2019 he was co-writer on the short film "Winston," which received the following film festival selections: the Hip Hop Film Festival, Bronzelens, Circle City Film Festival, Queen City Film Festival and...
Karl O’Brian Williams is a Jamaican-born actor, playwright, producer, and educator. His acting career has taken him from stages in the Caribbean to those in New York, Toronto, and the United Kingdom. In 2019 he was co-writer on the short film "Winston," which received the following film festival selections: the Hip Hop Film Festival, Bronzelens, Circle City Film Festival, Queen City Film Festival and the Pan African Film Festival - the screenplay was adapted from Williams' Monologue "The Kept Man." His play, 'The Black That I Am' has been staged in Glasgow and Galloway for the National Theatre of Scotland, and at the Edinburgh International Fringe Festival. 'Not About Eve' had a successful run Off-Off Broadway in New York, Queens, Brooklyn, Rochester, Hartford, Connecticut, and in North Carolina at the National Black Theatre Festival in Winston-Salem. In 2013 the play received 3 AUDELCO nominations for Excellence in Black Theatre including Outstanding Ensemble Cast, Best Dramatic Production, and Best Playwright. 'The Boys on the Hill' was a selection in The Culture Project’s 2015 Summer Play Reading series at the Lynn Redgrave Theatre, and for Long Island University’s Kumble Theatre 2016 Pride Month Celebrations. The play is now being developed along with another one act called 'Gully Queen' as part of a trilogy on LGBTQ+ lives in Jamaica. 'Random' was a selection in NYU's ten-minute play festival, and was adapted into a short film by students at the Art Institute of Atlanta in 2009. He was playwright in residence with Theatre Askew’s Youth Performance Experience. Williams’ passion for theatre and education has propelled his work with students of all ages and abilities. He is currently Deputy Chair and Theatre Coordinator in the Speech, Communication and Theatre Arts Department at The Borough of Manhattan Community College (CUNY). He has taught at the City College of New York, done teaching artistic work with the New Jersey Performing Arts Center, Apple Arts, and Wingspan Arts. For New York University and the Center for Multipurpose Education & Programs Williams continues to direct the Martin Luther King Jr. Week signature event since 2011, and has produced shows for the Skirball Performing Arts Center, and the Jamaica Performing Arts Center. As Artistic Director for Braata Productions, Karl curates the organization’s bi-annual Caribbean Play Reading Series, creates educational theatre curriculum for after school and senior center programs, and was the brainchild of Braata’s annual events, Bankra Caribbean Folk Festival, and Old Time Grand Market. He has shared the stage with Harry Belafonte, and the late historian, and activist Howard Zinn, and pursues artistic projects that interrogate socio-political issues, especially those intersecting with Caribbean culture, queerness, and immigration.

Plays

  • Project Sankofa
    A play with music, spoken word, & movement. It is the story of a young man who has an awakening about his purpose in the world. There are ancestors who watch, listen, interfere, challenge and help him throughout. He reluctantly accepts a challenge from a class project that asks students to create a performance art piece about their family history to answer the profound question: who are you?
  • Signs of Friendship
    A college friendship is tested over a Zoom call when the wording of a protest sign sparks a huge argument!
  • Gully Queen - The Play
    Guly Queen tells the story of a young trans-woman who is forced to live in the sewers of Kingston, known in Jamaica as ‘gullies.’ She represents the many LGBTQ youth who lived in the gullies in 2013, and the many others who continue to dwell in unlivable conditions in the island due to extreme poverty and persecution. We follow her journey as she narrowly escapes a violent death, to forge a path to a better...
    Guly Queen tells the story of a young trans-woman who is forced to live in the sewers of Kingston, known in Jamaica as ‘gullies.’ She represents the many LGBTQ youth who lived in the gullies in 2013, and the many others who continue to dwell in unlivable conditions in the island due to extreme poverty and persecution. We follow her journey as she narrowly escapes a violent death, to forge a path to a better life. As she dares to exist on her own terms, her struggle is one of grit, and defiance. ​
  • Not About Eve
    Not About Eve is the story of three generations of women living together in an upscale neighborhood in St Andrew, Jamaica. The play looks at the complications of parenting and family relationships, as well as loss and change. A change that is inevitable as generations develop, clash and separate. The women discuss the challenges of embracing old and new ideas about living together, while trying to maintain a sense of self and sanity.
  • The Black That I Am
    The Black That I Am is a poem interpreted by an ensemble, who take each stanza and explore its theatrical impact as each issue surrounding Blackness, gender, sexuality, ethnicity, religion, violence, and belonging is questioned and presented.
  • Second Date
    Two people navigate the social norms of dating.
  • Bubble Tea
    A friendship takes a different turn with the help of Bubble Tea.