There are plays which go beyond intended audiences and speak to the global community. The setting may be Melbourne but this play could be done in Moscow, Tokyo, Johannesburg, London, or Los Angeles and the audience would understand. The world Christopher Bryant presents us in DISINHIBITION is frightening in its familiarty and disquieting in its message. I am not sure if Bryant is chronicler or prophet, but this work cannot become a Cassandra prophesying the rapid decay of our global community trapped in falsehoods while our most impressionable go the way of Tay into radicalization. Read this...
There are plays which go beyond intended audiences and speak to the global community. The setting may be Melbourne but this play could be done in Moscow, Tokyo, Johannesburg, London, or Los Angeles and the audience would understand. The world Christopher Bryant presents us in DISINHIBITION is frightening in its familiarty and disquieting in its message. I am not sure if Bryant is chronicler or prophet, but this work cannot become a Cassandra prophesying the rapid decay of our global community trapped in falsehoods while our most impressionable go the way of Tay into radicalization. Read this play. Don't wait.