Recommended by Morey Norkin

What a charming telling of the classic poem along with a brief history of its origins and how Santa is recognized around the world. Kudos to Jolly for encouraging presenters to add to the Santa folklore or include stories of other celebrations. Destined to become a holiday classic!

I have to agree with Sam Beckett’s assessment: this is a play I might have written if I had Mr. Bonafede’s level of talent. Or at least I wish I had written! As promised, Bruce Bonafede delivers the answers to our questions about Godot while also delivering a ton of laughs. “Ton of laughs.” Is that expression too old? I also have to agree with David Mamet, who said of this play, “I mean… fuck.” And I mean that in the best possible way!

Imagine having your life the subject of two sports play-by-play announcers up in the booth! In Rachel Feeny-Williams’ hands, the results are filled with laughs. The commentary as football (soccer!) fanatic Matt awkwardly addresses his feelings towards new roomie Jenny is priceless. To sum up this play in a word: Goooaaallll!!!!

I love Sam Heyman’s irreverent sense of humor! All of the other God students dropped out, with some going into community theater! I think I’ve known a few! Turns out God(s) also have to face mortality and it’s enough to drive a Supreme Being to drink. Clever, funny, and well worth a read and production.

While I have your attention, Guide Me rounds out Paul Smith’s London apartment trilogy. His witty, often biting, dialogue is as present here as in the other two. Here we have a love triangle with two of the parties essentially trying to force a resolution on the shared party. There are no good options, and Smith, wisely does not try to deliver a neat and tidy ending. Instead, we’re left with a feeling of despair for these characters. This trilogy will make for a wonderful evening of theatre.

After reading Isaac, one in a trilogy of portrait-inspired plays by Paul Smith, I was excited to jump into the other two. So glad I did! In Happiness, Smith presents three siblings sharing fond childhood memories after other guests have departed a gathering at the same London apartment featured in all three plays. The nature of that gathering becomes clear at the end and may leave you, as it did me, stunned but also going back to truly appreciate the masterful construction of this play!

Witty and poignant, Isaac tells the story of of one man being nudged by both the personification of his subconscious and a longtime female friend to accept his true identity. Paul Smith has created quite a marvelous piece of theater, and I understand there are works related to this one. Looking forward to them!

A lovely play, lyric poem really. Beautifully written and should make for a memorable production in the right hands.

In yet another fractured fairytale (see Cows’N’ Moon), Christopher Plumridge provides a new twist to Little Red Riding Hood. And just when you think you’ve figured it out… we’ll, you’ll see! Loaded with laughs and clever references to other fairytales, this would be a welcome addition to any short play festival.

In a word, hysterical! And come on, who wouldn’t want to play a cow, or a laughing dog, or fiddling cat?! Christopher Plumridge treats us to the thought process that must have gone into the action of the well-known nursery rhyme. And if you like quoting pop music lyrics, as I do, Plumridge manages to sneak in a gem! Quite a treat for performers and audiences alike!