Recommended by Ian Donley

  • 23 and Bree (from the THE WRINKLE RANCH AND OTHER PLAYS ABOUT GROWING OLD collection)
    30 Jul. 2022
    Featuring three women with complexity in a tragic situation, Debra A. Cole writes a captivating scene that showcases longing for answers.
  • Down There
    30 Jul. 2022
    Touching. Empowering. Passionate!
  • HOLD ONTO YOUR HATS
    29 Jul. 2022
    A creepy and poetic play. The uncertainty creeps into you until you reach the ending. A brilliant way to build suspense.
  • Clown Lung
    29 Jul. 2022
    A wacky, absurdist adventure on discovering where one fits in the world. This fast-paced story delivers in its pursuit to inspire others to become their own jellyfish in their lives.
  • The Great Suburban Pseudo-Woodstock Love-In
    29 Jul. 2022
    Vividly clear! Nostalgia is a very powerful sensation, and Barbara Lindsay captures it through the lens of a baby boomer.
  • 19 Words (a monologue)
    29 Jul. 2022
    We've all been there and felt that. The order Matthew Weaver chooses to place his 19 words are affective and passionate.
  • The Catastrophist
    29 Jul. 2022
    As a fan of Lauren Gunderson, the thing that stands out about her to me is her ability to transport you into the world of her characters. She takes human truths and presents them on a silver platter for us to enjoy. Her use of language connects her characters to the themes she's exploring (in this case, to the idea that we don't know how the future will unfold, and it's wise to keep yourself grounded through your upbringing and morality.
  • 80 Cards
    29 Jul. 2022
    I love the simplicity of it! It gives the actor and opportunity to let the words do the work for them. Would love to perform this.
  • 10%
    29 Jul. 2022
    Emily Hageman writes this character in typical teenage fashion, but not over the top. The character is grounded and fully-realized.
  • Intervals
    27 Jul. 2022
    The dialogue is raw, particularly with Lanie's story. These three characters brings authenticity to a taboo subject. The characters aren't putting on a show. JM Chambers makes these characters three dimensional to the point where reading the script felt like I heard their voices speak to me.

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