Recommended by Ian Donley

  • It's Spring!
    2 Apr. 2024
    Rachel Feeny-Williams writes a clever and light-hearted short play about different weather types and how they, much like the city council she portrays them as, get to dictate the rules.
  • My Vagina Has A First Name
    2 Apr. 2024
    Dana Hall has written a script about one of the most delicate subjects in our society and given it a humorous and touching perspective.
  • Kingdom of Animals
    2 Apr. 2024
    Barry Smoot's KINGDOM OF ANIMALS is a fascinating and feral depiction of how internalized queerphobia passed down generationally causes the human body to reject any form of authentic intimacy for the sake of survival, particularly in a world not designed to embrace queer intimacy.
  • Moving Day
    2 Apr. 2024
    MOVING DAY is melancholic yearning for the people we've lost in life to come back to us. Ollett does a beautiful job capturing these feelings with a hint of theatrically to make the play feel otherworldly.
  • Death of Stand Up
    2 Apr. 2024
    As a Gen Zer who has seen many comedians who specializes in dark and borderline offensive comedy try to market themselves via social media, Marilyn Ollett's script is spot on in its depiction of finding the line between humor and obscenity.
  • The Closet Door
    1 Apr. 2024
    Sam Heyman's THE CLOSET DOOR is a sweet exploration of how coming out can be a scary yet cathartic experience. Heyman's script does a good job of not being overly predictable, and the relationship between Chip and Brett feels nuanced, making the eventual act of coming out authentic.
  • OUR FAKE HISTORY
    1 Apr. 2024
    Nora Louise Syran's OUR FAKE HISTORY is a funny and touching story about fostering confidence in approaching and observing a critical lens, which is something that has caused quite a controversy in recent years. Syran's script pushes back against the oppression of it with ease and humor.
  • I am the Center of My Universe
    1 Apr. 2024
    Nora Louise Syran presents a monologue about a woman doubting her place in the universe and portrays the inner turmoil with delicacy that makes the piece all the more relatable.
  • I Think We're Lost
    31 Mar. 2024
    Peter Fenton's I THINK WE'RE LOST is a retelling of a classic tale with so much dimension for actors to explore the characters we all know and love, as well as some wonderfully constructed new ones. Fenton takes this classic story and the spins he puts on it has audiences thinking about what's at stake when we decide to grow up.
  • Which Way to the Beach
    31 Mar. 2024
    Philip Middleton Williams' WHICH WAY TO THE BEACH is a short yet insightful exploration of the fear parents has trying to protect their children (even grown-up ones) in a world of homophobia. Williams masterfully writes out the parents with complexity that has the audience wondering how much of their fear is genuine and how much does it stem from their own internalized homophobia. I loved it!

Pages