Recommended by Ian Donley

"First Date 2099" is a sweet and futuristic look into how human beings will (potentially) find love. Byham's writing is strategic, giving us moments of humanity sprinkled into the robotic interactions between these two characters which breathes life into the audience.

"Revenge of Eve" is a clever and brilliantly written exploration of how religion seeps into the DNA of every individual who finds themselves in the midst of questioning. The dialogue is razor-sharp and fast-paced giving room for the audience to understand the complexities of these characters while never lagging in pace. This is one of the boldest scripts I've encountered in recent years and would love to see this produced!

"Veterans of Community Theatre" is a hilarious story highlighting the love and dedication for the arts many of us have.

April Lavalle's wordplay is distinct, making the personalities of these two characters pop on the page. Lavalle handles the subject matter with an appropriate mix of sensitivity and humor that leads the audience to want more.

Tom Erb writes a playful and satirical sex-charged play about what happens when desperate times calls for desperate measures.

"Assassinating Zeus" is a madcap comedy about fear and how minds create false (or even true) interpretations of reality in order to keep us alert.

Iyna Caruso does a marvelous job at setting up what is reality and what is fiction. The monologue is thought-provoking and, truthfully, timeless given the discussion of what art is to look like moving forward.

Debra writes a short yet poignant look at grief and how important it is to see the brightness of the future.

HALLMARK DYSTOPIA is a fearless and revamped version of the traditional Hallmark Christmas story. It gives room for social commentary over how women are expected (through media representation) to conduct themselves in traditional settings and what can happen when they don't. This would be such as treat to see on stage!

Jonny Bolduc's script is heart wrenching in the best way possible! The dialogue is emotionally driven and very representative of how, for some of us, our younger selves depend on us to survive.