“ What a menacing delight of a play! Built on a lovely and hilariously growing tension, this sneaky smirk of a work by Jessica Moss morphs from a wry romantic comedy into an absolutely luscious language play, dark and drastic; the best of all its surprises is its complete and acrobatic leap (over what others may have served as a melodrama manqué) into a most dangerously deadly resistance. This is going to be so much fun for any team. Brava! ”

“ One of the most deft political satires that I've read in a long time. It will no doubt serve as a devastating component in any evening of sketches, a standout piece in any charged revue. The exchange is tense, engaging, clinical, bewildering, brutal, awful, awe-full, abrasive, subversive, layered, straightforward, liberating, and liberated. Exemplary, truly; a bravura work of art. ”

“ This twelve-page wonder by playwright Jagernauth opens with a back-and-forth bit about hair which made me raise an eyebrow in an effort to hold off heartbreak. It's a hell of a way to start a play. It's followed by the fudge of a forgotten present, and it's at this point just how clear and honest this genuine piece about friendship is going to be. Even the express enquiries of absent acquaintances ring true. This is just how best friends are. The turn comes to a ticket booth attendant. The last half is so deft in metaphor, I cannot ruin it. ”

“ Anyone who suddenly became bold enough, curious enough, or determined enough about understanding, or willing to investigate their background will appreciate this play, because there's no promise it will be pretty. The promise is it will be rewarding, perhaps only to your personal, individual soul. Nevertheless. A brief, brave, bracing piece of literature worthy of every advantage any form of Drama could acquire or require, this lovely short asks you to extend yourself, to attend what ever may be asked of your being. This's the entire point of theatre, a universal application of that elusive practicality, that radical idea: empathy. ”