The atmosphere a playwright feels in their heart/head is seldom without hard work achieved in the room, that is to say, the theatre. It's like constructing a greenhouse then claiming you've wielded Mother Nature. Hageman makes a jovial sports-like piece out of the searching for that component so elusive, so ethereal in 'Something Profound', while skewering gender tropes; it's both testament and homage to theatre-making. Her use of the technology available is challenging and appreciated. This meta-work of comedic half-fiction is more than worth accomplishing, as much for us as for them. Both of...
The atmosphere a playwright feels in their heart/head is seldom without hard work achieved in the room, that is to say, the theatre. It's like constructing a greenhouse then claiming you've wielded Mother Nature. Hageman makes a jovial sports-like piece out of the searching for that component so elusive, so ethereal in 'Something Profound', while skewering gender tropes; it's both testament and homage to theatre-making. Her use of the technology available is challenging and appreciated. This meta-work of comedic half-fiction is more than worth accomplishing, as much for us as for them. Both of whom are in the play.