“ I saw this at Macha winter 2022 and it was one of the best things I saw that season. Lisa Every and Jenn Ruzumna deftly tackles the subject of sexual assault with a nuanced gaze, one that poses no hard answers but many searing questions, that challenge the audience both during and outside of the play. The main characters are wonderfully human, practically breathing in the way they reflect all these complexities and conflicting ideas/views. It's two years later and I still think about this one a lot. I look forward to seeing where it goes next. ”

“ This piece raises a lot of tough questions in a surprisingly fun and light-hearted way. How do you extract revenge on inanimate objects? Is such a revenge even satisfying if the party receiving the revenge isn't "sentient" and aware of your vengeance? Technology is so ubiquitous that these characters can't escape it no matter what they try. A modern tragicomedy for sure! ”

“ I saw this last fall and it remains one of the best pieces I've seen this season. The past and present narratives intertangled in a beautiful, heartbreaking, and, ultimately, surprisingly hopeful way. The music not only established the tone of the piece, but helped display the strong connections, and eventual disconnections, between these humans caught up in forces beyond their control. And the dark humor was so sharp yet uncomfortable, inviting the audience into the narrative while highlighting our complicity in listening to this story. Amazing, amazing piece. ”

“ I saw this play at Seattle's ArtsWest Theatre in February 2024. I thought I was in for a bitingly dark romantic comedy, but what I was really in for was a whirlwind of both theatrical genius and emotional punches. Adams does a wonderful job of both playing to and subverting our expectations of these two, larger-than-life historical figures, awing us with their literary and political brilliance while making us profoundly feel their, and our, humanity. ”