Recommended by Nick Malakhow

A gentle and profound piece that would be a spectacular challenge and showcase for two versatile actors. Caridad's exploration of fascism, tyranny, and the intersection of the personal and political is so beautifully arranged and theatrically compelling, and it moves at a propulsive yet thoughtful pace. It captures a distinct socio-political context of its own while also destabilizing audience members' notions of what political upheaval or distress might look like in its nascent or bourgeoning stages.

Stunning and super compelling and inventive meditation on the lingering hum of anxiety and existential dread of being alive...though it manages to be that in a propulsive and theatrical and exciting fashion! This really does capture a mood or atmosphere of the current moment, though the themes of contemporary urban loneliness and alienation, cycles and relationships, and physical and mental self care feel eternally relevant. I also thought this piece was very aesthetically coherent and distinct, while leaving incredibly generous room for a production team to leave its mark on it.

A beautiful piece that has the vulnerability and lyricism of a solo show with the bold, brazen theatricality of a piece meant to be fully inhabited by multiple virtuosic actors. This potent piece defies genres and treads much comedic ground even as it illuminates wrenching truths about family and memory, and as it explores liminality, identity, place/home, inheritance, and the weight of family legacy. If you have time, you should see Two River's beautiful digital reading of this--I'd be thrilled to see it realized onstage!

An awesome two-hander that managers to be propulsive, funny, nuanced, and delicate in its exploration of its characters all at once. Keiko has crafted two amazing roles in Jenny and Bernie and uses them to explore, with an intersectional lens looking at gender and race, grief and growth and self-actualization and the ways we cannot disentangle our identities from our relationships with others. Gorgeous the dog is a perfect central extended metaphor to explore the journey of these two women and the lingering presence of a troubling man in their lives. The monologues within this are architectural marvels!

A deeply vulnerable, unsettling, and sharp look at the way trauma and abuse shapes one's identity in an indelible fashion. The way MacLean toys with chronology is engaging and, even as the story winds back and forth through time, propulsive for the plot and Gen's journey. I appreciated the moments of human connection and the scattered victories that punctuated the piece, evocatively illustrating the few and far between relationships and inner strength that often must keep survivors of trauma moving forward through life.

This piece combines the lyricism and weight of Greek tragedy with everyday and contemporary explorations of identity and power in relationships. The use of dream imagery, the theatricality of the Fates, and more provide bold and memorable stage images that I would so love to see realized! Anton and Hadrian's relationship is nuanced, complex, and at once tender and unsettling in a way that definitely doesn't undercut the imbalanced power dynamics at play. A good read for lovers of queer theater, Greeks, and more!

An intersectionally rich intimate comedy that elevates the world of small, character-driven relationship stories by fully mining and exploring the varied identities of its characters. I enjoyed seeing all of the different "constellations" of characters interacting throughout; these interactions always steered things in unexpected ways. Funny and truthful. I'd be interested in seeing this staged and hope to follow its development trajectory.

A mindbending piece with images, ideas, and language that I will be thinking about for a long time. The world Dang creates here is so cohesive in its eclecticism, and they ways they explore liminality and the societal structures in place that impede living one's truth for many who exist at the alleged "margins" are brilliant! Absolutely hilarious and absurd moments coexist with beautiful and lyrical poetry and raw vulnerability. The piece is aesthetically unified, and yet it leaves room for a production company to truly make its mark on it. I'd love to see it staged multiple times!

A gorgeous play that combines lyrical poetry with moments of human naturalism. I also loved the way Willis uses dreams as a structural element. The dreams--both in content and in form--help mirror the Body's external and internal negotiations and conflicts in a potent and direct way. I'll definitely be thinking for a long while about the stage images and creative theatricality of this piece, as well as its human, poignant ending that captures both the melancholy and feelings of liminality the Body is experiencing in the moment while they also look forward as well.

Wonderful theatrical horror! Like all good horror, this is a compelling story in and of itself while also serving as a metaphor for important and intriguing issues like family trauma and what we do with it, dissatisfaction and specious "rot" within dysfunctional relationships, and more. I loved how the dread built throughout--starting with a general sense of unease and escalating throughout until some awesomely terrifying and theatrical grand gestures in the end. This play would work high or low tech--with an out of this world budget/production "value" or creative/more modest direction and design. Also appreciated the bi-visibility!