Recommended by Scott Sickles

  • The Savior [a monologue]
    20 Mar. 2024
    When I first heard of savior siblings, I thought it was bullshit. That anyone would have a child solely to use its body parts to save the ailing child they already have, love, and are terrified of losing is simultaneously understandable and monstrous.

    But this isn't about the parents. This is about the "savior." The man that began as a boy brought into the world for spare parts.

    Martin's monologue filled me the Gabriel's rage, frustration, and displacement. It's a story of a family torn asunder by a void and how the void feels, evolves, and loves. A masterpiece.
  • Before You Submit
    1 Mar. 2024
    A lot of playwrights bitch and moan about submission guidelines. I'm one of them. Here, Brenton captures a few of the most annoying, the first few incisions in a death by a thousand gatekeepers. Best of all, he illuminates the passion and the pain of wanting to share our stories and being stymied at the earliest possible moment.

    I felt this one in my ribcage. A punch to the heart.
  • LONG STORY SHORT - A ONE-MINUTE PLAY
    25 Feb. 2024
    "THAR SHE BLOWS!!!" And if anything does blow, it's MOBY DICK.

    Richter has fashioned a public service announcement inside a public service announcement that's also a fun comic scene, a needing doll that's the love child of Cliffs Notes and Mr Yuck.

    And it's a real time-saver!
  • THREE-PART DISHARMONY - A ONE-MINUTE PLAY
    25 Feb. 2024
    #TeamG

    That's it. That's the rec.
  • CHEST POUNDER - A One-Minute Play
    25 Feb. 2024
    My Brain wants my Eyes to get a good look at this Cole person...

    Equal parts cheeky and resonant, this it's a delightful MRI into human desire.
  • Hold My Hand (a one-minute play)
    18 Feb. 2024
    Scroll directly to the body of the play, past the title page and the page in between!
    If you don't, you'll be fine but you're better off if you do.

    Regardless, the atmosphere is tremendously creepy from the start. The ordinariness of the scene only heightens the suspense. Directors and lighting designers should have fun colluding. Audiences will shudder.
  • Stockholm Or...
    12 Feb. 2024
    The thing about leaving anywhere is you have feelings for what you left behind: people and things, circumstances and situations, love and hate. Plumridge captures a crucial moment between liberation and imprisonment, both physical and emotional. Which has the greater risk is impossible to know, even after you choose. An evocative, emotional monologue. Ideally performed in absolute darkness.
  • GULF (working title)
    9 Feb. 2024
    There's a lot to unpack here. (Once you read it, you'll see what I did there.) An offer is made, possibilities open, steps are taken, and the choice between staying and going has larger and larger implications.

    Jonte provides a concise, surgical examination of a relationship. Using the influence of social media as a catalyst, she reveals a stifling interdependence between someone who needs on their own terms and another who has never acted on their own desires. Not to mention the daddy issues which provide a surprisingly healthy map toward salvation.

    The last line is perfection.
  • US - A One Minute Play
    6 Feb. 2024
    Someone even more minimalist that Beckett's PLAY, US shows us the evolution of a polycule from suggestion to realization. Using only 30 separate words (not 30 words total), Cole's dialogue transcends wordplay and fills the ample white space with love, hope, fear, and joy.
  • GARY (THE PRINCE OF UNICORNIA): A MONOLOGUE
    3 Feb. 2024
    NOT WHAT I WAS EXPECTING!!!

    And I'll do my best not to even hint at what happens. All I'll say it's that Gary is the hero we need, the hero I wish I could be, MY f-ing hero!

    Once again, Wydham shows no mercy to those who refuse dignity to others nor does he make a mockery of his villains. We see them as they really are, a danger to the kingdom, to its children, to knowledge and decency, and to unicorn spirits everywhere!

    ONWARD, MY LEIGE!!!

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