Recommended by Scott Sickles

A fun and funny monologue for deft physical and vocal comedians. Lots of ways to play it. Definitely something "creative personalities," insomniacs and the easily distracted can relate to.

Dark, funny and disturbing in the best ways. An intimate and concise look at what people who love each other do for each other and what values and expectations we instill in the people we educate and raise. Utterly compelling.

What a romp! So much fun, one imagines the people who originally thought up the legend of Robin Hood are kicking themselves for not doing it this way in the first place! The relationships are heartfelt and the opportunities for creative staging are endless. A hoot!

Hilarious, elegant, relentlessly artsy and utterly grounded at the same time, A TOUCH OF CINEMA examines America's dangerous flirtation with nationalism by giving it a decidedly foreign feel. It's a play set at a cocktail party with characters you'd actually want to be at a cocktail party with! Banter becomes a mask for danger and this seeming bubble of safety feels like it could burst at any moment. As powerful as it is delightful.

Sexy, harrowing, intelligent, heartfelt and complex, ANIMALS COMMIT SUICIDE takes an intimate and unflinching look at why people make self-destructive choices that fly in the face of reason. A deep dive into the intimacy of personal pain, human connection, and why we need what we need even if the world doesn't understand, this play is damn near perfect!

It's like TOM JONES on acid!!!

A shameless romp filled with literary mashups, diabolical intrigue, and inspired silliness, it's as though a deranged madman took an English lit syllabus hostage and had his way with it!

Powerful, complex, intense, and thought provoking, Rust on Bone uses its protagonist's method of immersive trauma counseling to take the audience through the subjective experiences of its characters' PTSD in this study of fear, race, and the subjectivity of truth. Whose memory can we trust? Can we trust our own? At what point are we safe from the experiences that nearly kill us? Are we ever? A haunting piece.

I confess: on several occasions I have described the entire plot of this play to people and each time I did, I cried. Doublewide is a profoundly moving, hysterically funny, sometimes brilliantly random, edge-of-your-seat suspenseful family story that occasionally makes you say "damn..." out loud.

Don't be fooled by the title. This is not a Killer-Joe-style white-trash-living-in-the-outskirts-of-the-underbelly-of-society yarn. Doublewide is an honest, unpretentious look at hard-working decent working-class folk striving for a better life. Marital, multi-generational, and societal dynamics seamlessly blend in a tapestry of wonderful characters. It's a gem that will split your sides and break your heart.

Harlowe is a bit of a theatrical miracle. We start out with a heavy, dark, poetic monologue from a woman (Harlowe) in a bathtub. This woman is in pain, real pain, pain she is aware of and can no longer feel. Then she is interrupted and suddenly Harlowe and the audience are thrust into a real world that's as hilarious as it is complex. Moving seamlessly in and out of her protagonist's thoughts and fears, Jenny Lane has written a beautiful latticework of familial need and insecurity as Harlowe and her brood verge ever closer to healing.

SAFE is a powerful piece about the multi-generational pervasiveness of homophobia told from the point of view of a woman whose past mistakes with a gay friend come back to haunt her decades later when she encounters similar prejudices and circumstances. The narrative presents a gripping puzzle that slowly reveals itself as the weight of her memories and regrets bear down on her. Eternally topical yet intimately personal, SAFE reminds us that bigotry and abuse can still hide within the most outwardly friendly people. The graveyard confrontation between two mothers is extraordinary.