Recommended by Samantha Marchant

This would be a great addition to a short play festival. It'd be lots of fun to explore the haunted world and physical/rhythmic moments.

A bird’s eye view to get to the heart. I enjoyed Amanda’s circling as she found her way. Great length and balance!

Life, death, loneliness and connection - this play asks some grand questions.

Silly fun! There'd be such joy staging this, especially the cat and dee mouse.

Well done! I fully support the eating of that corn dog. I'm glad to see their friendship grow as they go off to eat fries and the arcade.

Ha! I feel this character's rage and sheepishness.

This short play is a charming twist on a fairy tale ending. Feeny-Williams did a great job at making me care for each character and their own “happily ever after.”

A tour through a house and a family. Some stellar details and lines like, “She screams like my sister when my father held her upside-down and made her walk on the ceiling.” “She places the pan on the table and lifts the lid in a grand reveal. The food is not nearly done and the meat is still raw.” = a MOMENT, the use of two voices from one character, “ The bold sections of the speech represent Raven’s innermost thoughts and are a different aspect of her personality. There is a clear distinction between the two types of text."

Highly recommend! Bertram commands Robert's and our attention and he runs down their history and what they meant to each other. I want to see this performed, especially the action at the end.

Beautifully crafted! The Haunts are so well used and slipping between Eller’s times is masterfully handled. I appreciate the power behind the Jesus-Cross-Nail. I had chills when, “HENRY takes off his hat and becomes THAT MAN once again.