Recommended by Christopher Soucy

What more do you need to know than “wandering uterus”? Tom Moran has gifted us with a hilarious tale of anatomy gone awry. I enthusiastically recommend this play. Read it, produce it, heap praise upon it!

A clever tête-à-tête between home owner and ghost haunting her house. Sometimes a spiritual negotiation is the best way to deal with unwanted specters. Enid Cokinos has delivered on a spooky premise with a light touch that is satisfying.

Beautifully crafted ghost story with a chilling ending that is deserving of gasps. I am a ghost story fanatic and this short play checks all the boxes. But on top of ghost storytelling, there are precise social issues layered into the overall dread of the piece.

You don’t need sugar when something is this sweet. A great play for older performers. We are all young at heart and heed the siren call of cookies.

Haunting and strangely reassuring. A tale that touches upon the most active ghosts in the world, our memories. Annie Considine opens the doors for countless stories, and I want to be in the front row for each of them!

What a wholesome and heartfelt holiday classic. Nothing like a little hellfire to warm your heart. Kyle Walker has given us a holiday play to cheer about! Funny and demented in the best way. Plus a little PSA about the trials of dyslexia.

This play really raises the blood pressure. Dreams are difficult things to maintain in today’s world. Deb Coles does an amazing job of laying on the tension through this harrowing tale of modern real estate treachery. Brava to the creation of dynamic characters and great dialogue throughout. This is a great modern thriller.

Poignant, relevant, and nostalgic, NOW WE ARE A HUNDRED is a love story to the children we were and the adults we become. Alaina Tennant explores the tumultuous world of children whose lives were co-opted by exploitive parents. Even if one’s parents didn’t turn them into literary icons, it’s easy to sympathize with carrying a parent’s oppressive dreams while attempting to become your own person.

Added to the annals of international incidents at late night pancake joints, this humorous exchange between the haves and the have-nots is highly enjoyable. Claire Dettloff’s characters deftly navigate the rigors of friendship, partying, body image, and underwire bras. Seen at the 2024 Valdez Theatre Conference.

There are good reasons to have cold feet and there are bad reasons to have cold feet. In this tight comedy, Dawson Moore and Schatzie Schaefers explore pre-wedding jitters as related from a sister to her brother. What seems to be a mere hang up regarding the cleanliness of skivvies may be hiding deeper concerns. A well delivered punchline drives this piece home