“ This play is incredible and everything I could hope for in a teenage Julius Caesar adaptation. It is both funny and uber-serious, because everything in the lives of Kaashvi, Priyanka, Bailey, and all the others is just that high-stakes. Their dialogue and feelings are truthful and believable, while easily rising to (and perhaps even surpassing) the momentous level of high-stakes-ness of the original characters from the source material. I would love to see this play performed!!! ”

“ "In Every Generation" is, without a doubt, one of the best Jewish plays I've ever read. In this play, Ali Viterbi addresses so many of the complications surrounding Jewish identity, from who is "allowed" to feel or be Jewish, to being "Jewish enough," to even being "not-Jewish enough," as well as the intergenerational trauma associated with the Holocaust and Judaism. The way Viterbi tackles this by using four vastly different Jewish moments in time (moments in Jewish time?) is nothing short of brilliant. Every young Jewish person (and old Jewish person) should experience this play -- every generation. ”

“ "Three Year Summer" captures so clearly the struggles of being thirteen: wanting both privacy and your family, wanting both a crush and a friend, and in everything, not being totally sure which is which or which is more important. It's wonderful to see the way that Tommie eventually finds her confidence and that magic can only take you so far, but the magic of writing and of using your voice go even farther. ”

“ I read ALLOND(R)A for the first time more than a year ago, back when I was still too shy to write NPX recommendations, and I've thought about it ever since. Rereading it now was just as enthralling as the first time, and I fell in love all over again. Watching Allonda come into herself and her identity is a remarkable experience, and witnessing the moments of vulnerability and tenderness that each other character has is equally lovely. This is a truly magnificent play. ”