Recommended by Asher Wyndham

Loved this! A hilarious monologue dealing with toxic masculinity and one woman's response to it. A character voice that immediately grabs your attention and wins you over with her kick-ass confidence. You'll cheer with Roni by the end.

Lam goes light-years beyond many playwrights tackling issues of race, American colonialism and identity. Loved it!

A beautiful play that takes up a lot of space on stage - and in your heart. Lovely.

An amazing play that explores love of all kinds (sexual, romantic, friendship) in its ups and downs with an emotional intensity. A cast will have fun playing these characters at various ages and stages of friendship -- over decades! Beautiful writing.

Perfect scene construction and pacing that intensifies the tension with biting humor while exploring its racial themes.

This monologue doesn't waste time, drops you right into a situation bursting with conflict.
A smart choice for a teenage actor looking for competition monologue.

An eclectic mix of bar flies, clubbers and pubbers showcasing a range of emotions and desires.
For a diverse cast of ages and gender identities.
These narrative-monologues are, surprisingly, highly physical and active. The range of character-voices will challenge even the seasoned actor.
Easy to produce, this Zoom-friendly collection of monologues would be a smart choice for any theatre looking to entertain during pandemic.

A reviting play on family bonds and tragedy, legacy and loss, shattered illusions and forgiveness. It's an eye-opener on a part of American history that most people don't know about, but it never feels like a chalkboard history lesson because the playwright shows us the effects of history and war on the personal life of three people. And the playwright achieves that while tansitioning from past to present, Afghanistan to Nebraska, and incorporating English and Dari language. And a lot of humor. Check it out!

An arresting play that centers mental illness through an emotionally complex relationship between two sisters. Henry's pacing is perfect, as evident in her shorter works. She knows when to hold back and when to reveal, showing here how death in the family complicates everything - trust, communication, intimacy. Henry resurrects trauma, but does more than that, something that is rare indeed in theatre: she transcends it, beautifully, showing a way forward. Easy to produce, this female-centric play deserves your attention.

Plenty of laughs for this homage to Star Trek (original and TNG) that'll bring back fond memories.
The right kind of play for a stage at a bar or a sci-fi theatre fest.
Get a projector, some trekkie pjs and face-paint - and have some fun!