Recommended by Asher Wyndham

These two religious nuts complaining about the Devil's doings in their town will make you laugh non-stop, possibly while recognizing yourself and your complaints about weird stuff, questionable sights and sounds in your town or city.
This should be a hit at any comedy showcase.

Beautiful. Tender. Sexy. Sad.
Some of the best plays bring strangers together to experience what is truly means to be alive, present, together. This is one of them.
Seinuk has written an unforgettable play. Every ten-minute play she writes hits you hard.

This play has the heightened emotions of a romantic comedy without it coming across as contrived.
You feel for these characters, even the flawed Morty.
Hilarious, intense, sexy, joyous, poetic.
This is the kind of play that can get a couple talking and loving again the right way after the show.
Is there another play after this? Hope so!
A spectacular play for actors 50+.

I had the pleasure of seeing this haunting play performed in Tempe, AZ many years ago (with actual actors as mannequins) and I fondly remember it being unlike anything I've seen before.
Absurd without it being derivative of anything I've read or seen before.
Creepy, but surprisingly poignant.
This is the kind of easy-to-produce ten-minute plays that will be hit everywhere. So I hope this gets more recommendations!
Highly recommended for a college sound designer looking for a great challenge.

A perfect portrait of disgusting white toxicity. You laugh one moment, recognize maybe yourself, and then ughhhh the reminder that this sh*t is still happening so -- What's your response, what's your action against this injustice?
This will inspire plenty of conversation about what civic duty really means for white people in the Age of Trump.

I don't want to give it away, please read this and the other monologues and marvel at how Weaver's unique approach for character, voice, and perspective for the monologue form. (Weaver has written a monologue from a fart's perspective, from someone trapped in a monologue, from a figure in a painting, an elf, kid Jesus, to name a few.) His approach will definitely wake-up any audience and inspire and challenge directors and actors. His monologue work inspires me to challenge myself.

This young woman's voice feels so authentic. Her desire for change for a broken world is also our own. Her invitation, she reminds us, is the one we need to extend to others, regardless of our differences. Highly recommended for a theatre festival showcasing plays on gun control.

This play reminds you that the fight for gender equality and expression happens not just in the workplace but also in our school systems - and how these dress codes even in our most progressive schools uphold the binary and give a false sense of safety and order. Keyes makes you understand the frustration on both sides which makes this play fuel for a larger conversation. Well-done.

I haven't read a monodrama in a long time where internalization, the stream-of-consciousness, the rush of the senses was so enthralling. Beautiful work. This will have any audience listening to every heart-felt word.

A little heartbreaker of a play, tight structure, perfect for your one-minute play festival.
Perfect for a beginners acting class in college.