Recommended by Debra A. Cole

  • Debra A. Cole: Out There? by Rachel Feeny-Williams
    “

    Oh, Penelope... playwrights may tuck rejected monologues away, but the characters are never forgotten.
    RACHEL FEENY-WILLIAMS has written a fabulously meta piece about creation, appreciation, and honor. We should truly treasure the words we create. Keep writing, Lucy... and Rachel.

    Oh, Penelope... playwrights may tuck rejected monologues away, but the characters are never forgotten.
    RACHEL FEENY-WILLIAMS has written a fabulously meta piece about creation, appreciation, and honor. We should truly treasure the words we create. Keep writing, Lucy... and Rachel.

    ”
  • Debra A. Cole: MADONNA OF THE CELL (MONODRAMA) by Adam Richter
    “

    ABSOLUTELY fascinating short monodrama! I adore a historical piece about a strong woman with convictions, and Adam Richter has delivered. Wonderful.

    ABSOLUTELY fascinating short monodrama! I adore a historical piece about a strong woman with convictions, and Adam Richter has delivered. Wonderful.

    ”
  • Debra A. Cole: How You Win by Wendy Vogel
    “

    What a powerful short piece about love, loss, and permission to start again while still treasuring the past. Grief is a monster, and WENDY VOGEL has approached the beast with love, compassion, and maybe just a little bit of hope.

    What a powerful short piece about love, loss, and permission to start again while still treasuring the past. Grief is a monster, and WENDY VOGEL has approached the beast with love, compassion, and maybe just a little bit of hope.

    ”
  • Debra A. Cole: My Ladies by Rachel Feeny-Williams
    “

    Human connections bind us all, if we are lucky. Angela is the center of her community offering an ear, an advisor, a comedian, and a friend. What a fun piece for a seasoned actress.

    Human connections bind us all, if we are lucky. Angela is the center of her community offering an ear, an advisor, a comedian, and a friend. What a fun piece for a seasoned actress.

    ”
  • Debra A. Cole: THE VAMPIRE'S SIS by Adam Richter
    “

    Family bonds are powerful, but sometimes, hunger takes over and other times, paybacks. What a fun short piece!

    Family bonds are powerful, but sometimes, hunger takes over and other times, paybacks. What a fun short piece!

    ”
  • Debra A. Cole: Moniker (a monologue) by Scott Sickles
    “

    Chilling. This short one minute monologue feels like the captivating beginning of a fabulous full length play. Bravo.

    Chilling. This short one minute monologue feels like the captivating beginning of a fabulous full length play. Bravo.

    ”
  • Debra A. Cole: Wares, or "Elegy for a Hemline" by Scott Sickles
    “

    Priceless. The colorful language… the vivid imagery…. the humor…. Scott Sickles is a national treasure.

    Priceless. The colorful language… the vivid imagery…. the humor…. Scott Sickles is a national treasure.

    ”
  • Debra A. Cole: LAW OF AVERAGES — A ONE-MINUTE PLAY by Adam Richter
    “

    Yes. Word play and numbers. Bravo, Adam Richter.

    Yes. Word play and numbers. Bravo, Adam Richter.

    ”
  • Debra A. Cole: Vengeful Streak by Christopher Soucy
    “

    Brilliant! Vengeance can be desired for many terrible transgressions, and most of them Phil has dipped his toes into. Audiences will pull their stitches from laughter while experiencing this hilariously dark comedy by Christopher Soucy. Perfection.

    Brilliant! Vengeance can be desired for many terrible transgressions, and most of them Phil has dipped his toes into. Audiences will pull their stitches from laughter while experiencing this hilariously dark comedy by Christopher Soucy. Perfection.

    ”
  • Debra A. Cole: Tastes Like Chicken by Marilyn Ollett
    “

    The build up on the playful, short piece by Marilyn Ollett is perfect. What is for dinner? Who is for dinner? The back and forth between characters is wonderfully natural and leads to many questions audiences will want answers for.

    The build up on the playful, short piece by Marilyn Ollett is perfect. What is for dinner? Who is for dinner? The back and forth between characters is wonderfully natural and leads to many questions audiences will want answers for.

    ”