Recommended by John Busser

  • John Busser: 3 Soldiers

    This play exhibits one of the great fundamental tenets of comedy. Escalation. As these soldiers try to outperform one another as to who makes a more convincing corpse, you can't help but laugh as they try and then critique each other. A very funny piece.

    This play exhibits one of the great fundamental tenets of comedy. Escalation. As these soldiers try to outperform one another as to who makes a more convincing corpse, you can't help but laugh as they try and then critique each other. A very funny piece.

  • John Busser: The [C]Han[n]uk[k]a[h] Play

    Well THAT escalated quickly. And thank God for that. Because this is an hilarious piece of writing that deserves to spread its chaotic wings onstage. David Lipschutz paints a picture of pure insanity that is hard not to love. Some family get togethers are painful. This one is painful...ly enjoyable. WHo needs Christmas when you've got [C]Han[n]uk[k]a[h]!

    Well THAT escalated quickly. And thank God for that. Because this is an hilarious piece of writing that deserves to spread its chaotic wings onstage. David Lipschutz paints a picture of pure insanity that is hard not to love. Some family get togethers are painful. This one is painful...ly enjoyable. WHo needs Christmas when you've got [C]Han[n]uk[k]a[h]!

  • John Busser: Confessions of the Big Bad Wolf (10 Minute play)

    Marcia Eppich-Harris has written a truly funny look at what might really be going on with the Big Bad Wolf. Is he losing his teeth, so to speak? When the sound of remorse starts coming out instead of a deadly howl, is it time for the wolf to pack it in and blow this fairy tale housing project instead of some piggy houses? Luckily, there's a good woman (or bad female wolf in this case) behind our anti-hero, giving him just what he needs to remain the monster he is. Funny and filled with great dialogue, this is a winner.

    Marcia Eppich-Harris has written a truly funny look at what might really be going on with the Big Bad Wolf. Is he losing his teeth, so to speak? When the sound of remorse starts coming out instead of a deadly howl, is it time for the wolf to pack it in and blow this fairy tale housing project instead of some piggy houses? Luckily, there's a good woman (or bad female wolf in this case) behind our anti-hero, giving him just what he needs to remain the monster he is. Funny and filled with great dialogue, this is a winner.

  • John Busser: OUTCASTS AND REBELS (a 10 minute play)

    As I read this play, I couldn't help but relate to both young woman and grandmother at the same time. Neither youth nor old age guarantees you'll see the value in yourself. Watching these two try to solve the other's problems is so universal. And why we like both characters. They are us. Marj O'Neill-Butler has tapped into something here. She makes you invested in the women in this play. You root for them both. At least, I did. I think most others will too. This is sweet, a little sad, but ultimately satisfying. A great piece of writing.

    As I read this play, I couldn't help but relate to both young woman and grandmother at the same time. Neither youth nor old age guarantees you'll see the value in yourself. Watching these two try to solve the other's problems is so universal. And why we like both characters. They are us. Marj O'Neill-Butler has tapped into something here. She makes you invested in the women in this play. You root for them both. At least, I did. I think most others will too. This is sweet, a little sad, but ultimately satisfying. A great piece of writing.

  • John Busser: Haunted House

    I don't know what's more humorously terrifying... The haunted house of the title, the dysfunction of this quirky family, or the fact that they all heard the daughter talk about her sexual encounter with jack Skellington. Any way you slice it, this funny play has some heart to it and a family that really resonates with the audience. So much so that the fourth-wall breaking that occurs seems perfectly in step with this little spook show. And there's nothing wrong with a sexy mummy...

    I don't know what's more humorously terrifying... The haunted house of the title, the dysfunction of this quirky family, or the fact that they all heard the daughter talk about her sexual encounter with jack Skellington. Any way you slice it, this funny play has some heart to it and a family that really resonates with the audience. So much so that the fourth-wall breaking that occurs seems perfectly in step with this little spook show. And there's nothing wrong with a sexy mummy...

  • John Busser: O, Commi-Tree (Ten Minute Play)

    A Yuletide Intervention! Just what most commercialism-obsessed consumers need! This was wonderfully fun to read. All the characters were pitch-perfect and the dialogue made me chuckle constantly. I certainly approve of the tree's message here and wouldn't mind a followup. Maybe see that trip to Italy. (Although a Darth Vader Toaster does sound pretty good.)

    A Yuletide Intervention! Just what most commercialism-obsessed consumers need! This was wonderfully fun to read. All the characters were pitch-perfect and the dialogue made me chuckle constantly. I certainly approve of the tree's message here and wouldn't mind a followup. Maybe see that trip to Italy. (Although a Darth Vader Toaster does sound pretty good.)

  • John Busser: The Window

    I loved the timing of this interaction! So inappropriately appropriate, really. The circle of life has never been so well shown than in this funny, dark comedy by Marcia Eppich-Harris. The characters come across as completely real here. I'd be willing to wager this sort of thing has happened before and probably more times than you'd think. I hope so. It appeals to my sense of the absurd...

    I loved the timing of this interaction! So inappropriately appropriate, really. The circle of life has never been so well shown than in this funny, dark comedy by Marcia Eppich-Harris. The characters come across as completely real here. I'd be willing to wager this sort of thing has happened before and probably more times than you'd think. I hope so. It appeals to my sense of the absurd...

  • John Busser: Bagged

    Only Jacquie Floyd could make a 1 minute play about dog doo something to cheer about. Universal in it's recognition of the absolute dolts that think THEY run the show, this piece shows us who truly is full of sh*t. And it ain't the dog...

    Only Jacquie Floyd could make a 1 minute play about dog doo something to cheer about. Universal in it's recognition of the absolute dolts that think THEY run the show, this piece shows us who truly is full of sh*t. And it ain't the dog...

  • John Busser: Penny Ransom

    I cannot recommend this play highly enough. Since obviously Christopher Soucy was probably high when he wrote this hilarious Coen-esque by way of the Three Stooges comedy of errors. Funny from start to finish, with wonderful wordplay that would be a hoot to get to say for any actor, this is a delightful 10 minutes that you'll want to see go on much much longer.

    I cannot recommend this play highly enough. Since obviously Christopher Soucy was probably high when he wrote this hilarious Coen-esque by way of the Three Stooges comedy of errors. Funny from start to finish, with wonderful wordplay that would be a hoot to get to say for any actor, this is a delightful 10 minutes that you'll want to see go on much much longer.

  • John Busser: The Midnight Cafe

    Like a visit to your favorite hangout crossed with the Twilight Zone. A terrific little horror piece where the horror is all offstage, but plainly making its way into the main thrust of the story. We don't NEED to see the gruesome acts (or AX in this case), and the sense of dread that builds as the patrons of this midnight cafe tell you all you need to know. Young Jenny is truly screwed no matter what kind of safe haven this appears to be. And the audience is better off for it.

    Like a visit to your favorite hangout crossed with the Twilight Zone. A terrific little horror piece where the horror is all offstage, but plainly making its way into the main thrust of the story. We don't NEED to see the gruesome acts (or AX in this case), and the sense of dread that builds as the patrons of this midnight cafe tell you all you need to know. Young Jenny is truly screwed no matter what kind of safe haven this appears to be. And the audience is better off for it.