Recommended by John Busser

  • John Busser: UNCIVIL SUIT

    A monologue with more bite than bark. And it's got plenty of bark! A scathing indictment of how governments are never held accountable for the atrocities they commit in pursuit of the almighty dollar. Christopher Soucy gets into the much and pulls out a gem of a monologue for any actor. Terrific stuff.

    A monologue with more bite than bark. And it's got plenty of bark! A scathing indictment of how governments are never held accountable for the atrocities they commit in pursuit of the almighty dollar. Christopher Soucy gets into the much and pulls out a gem of a monologue for any actor. Terrific stuff.

  • John Busser: The Rotary Phone

    Not anything like I was expecting and that made this a wonderful ride. A trip to the past from the future (or was it? That ending certainly is food for thought) I love the confusion as old technology is interpreted by the youth of their day. I'm sure we'd all have just as much trouble with medieval "tech". This was a blast to read, and would love to see it performed.

    Not anything like I was expecting and that made this a wonderful ride. A trip to the past from the future (or was it? That ending certainly is food for thought) I love the confusion as old technology is interpreted by the youth of their day. I'm sure we'd all have just as much trouble with medieval "tech". This was a blast to read, and would love to see it performed.

  • John Busser: You See Them in the Corners of Your Eyes

    Now THAT'S a ghost story! Dan Prillaman had me going with this two character play that tells a creepy story even as the characters tell their own creepy stories. I didn't see the end of this coming and was all the more impressed by it. Guilt is a powerful topic to explore, and has been done by many others, but never this way. I really enjoyed this, and I'll bet any audience would as well.

    Now THAT'S a ghost story! Dan Prillaman had me going with this two character play that tells a creepy story even as the characters tell their own creepy stories. I didn't see the end of this coming and was all the more impressed by it. Guilt is a powerful topic to explore, and has been done by many others, but never this way. I really enjoyed this, and I'll bet any audience would as well.

  • John Busser: The Kindness of Enemies

    Glenn Alterman writes a refreshing take on after-sex pillow talk that takes both characters involved on a roller coaster of emotions. At times, bantering, at other times skewering, the dialogue is NEVER dull and always strives to make a point. Great roles for any actor.

    Glenn Alterman writes a refreshing take on after-sex pillow talk that takes both characters involved on a roller coaster of emotions. At times, bantering, at other times skewering, the dialogue is NEVER dull and always strives to make a point. Great roles for any actor.

  • John Busser: Battle of the Karens (from the THE WRINKLE RANCH AND OTHER PLAYS ABOUT GROWING OLD collection)

    Anyone hoping for a feel-good play had better clear out. Unless you feel good watching this toxic battle of the bitches, which I did. Nasty, funny and oh so relatable, Deb Cole presents a contest I'll bet a lot of us would not only watch with glee, but would be hard pressed to pick a winner. Both contestants are detestable. And that's part of the fun.

    Anyone hoping for a feel-good play had better clear out. Unless you feel good watching this toxic battle of the bitches, which I did. Nasty, funny and oh so relatable, Deb Cole presents a contest I'll bet a lot of us would not only watch with glee, but would be hard pressed to pick a winner. Both contestants are detestable. And that's part of the fun.

  • John Busser: Playwrights Versus Zombies!

    Any halfway decent writer can find a solution to a script problem. But a desperately panicky one can find a solution to a zombie problem as we find out in Chris Plumridge’s awfully fun play. The solution is the best part of the story and it’s truly appropriate. Only the writers will save us! At least I hope so. This is one apocalypse I could get behind. BRAINNNNNNS!

    Any halfway decent writer can find a solution to a script problem. But a desperately panicky one can find a solution to a zombie problem as we find out in Chris Plumridge’s awfully fun play. The solution is the best part of the story and it’s truly appropriate. Only the writers will save us! At least I hope so. This is one apocalypse I could get behind. BRAINNNNNNS!

  • John Busser: 'E'Scape

    I love plays with an element of Physical humor to them and Chris Plumridge has provided a fun one here. There's also an element of schadenfreude here as we get to watch three vain, money-obsessed fat cats get just what they deserve. As they marvel in an invention with great potential for beauty being used to envision more money, more status and more hoarding, they can only envision more and more and more for themselves. And therein lies the trap. Barbed humor from a sharp playwright.

    I love plays with an element of Physical humor to them and Chris Plumridge has provided a fun one here. There's also an element of schadenfreude here as we get to watch three vain, money-obsessed fat cats get just what they deserve. As they marvel in an invention with great potential for beauty being used to envision more money, more status and more hoarding, they can only envision more and more and more for themselves. And therein lies the trap. Barbed humor from a sharp playwright.

  • John Busser: CrossTalk

    We really are DEEPLY connected to our devices aren't we? Uncomfortably so, as Eliana Pipes shows to great effect in this charming, yet somewhat alarming look at the relationships we form with them. Cel, a personified cell phone who purports to be an extension of Julius, ever ready to help, is frustrated that he can't see all the good things she brings to the table. Which can be so true in real life relationships as well. A humorous 10 minute piece with some actual bite to it, this would be a great addition to any short works festival.

    We really are DEEPLY connected to our devices aren't we? Uncomfortably so, as Eliana Pipes shows to great effect in this charming, yet somewhat alarming look at the relationships we form with them. Cel, a personified cell phone who purports to be an extension of Julius, ever ready to help, is frustrated that he can't see all the good things she brings to the table. Which can be so true in real life relationships as well. A humorous 10 minute piece with some actual bite to it, this would be a great addition to any short works festival.

  • John Busser: September in Biddeford

    DON'T READ THE SYNOPSIS, you'll thank me later!

    A favorite piece of mine from Greg, sees a Hallmark Movie moment, the Mother-Daughter Important Talk Scene interrupted (as these things SHOULD be) by... well, that would be telling. And it's SOOOOOO much better if you just read it instead. Or better yet, see it somewhere it's being performed.

    DON'T READ THE SYNOPSIS, you'll thank me later!

    A favorite piece of mine from Greg, sees a Hallmark Movie moment, the Mother-Daughter Important Talk Scene interrupted (as these things SHOULD be) by... well, that would be telling. And it's SOOOOOO much better if you just read it instead. Or better yet, see it somewhere it's being performed.

  • John Busser: The Shill

    This would be perfectly at home on The Outer Limits, with just enough twisted black humor peppered throughout to keep it fun. An alien invasion aided and abetted by commercialism and consumerism. Knowing how our society is willing to swallow just about anything, this is JUST plausible enough to be relatable. I would love to see it staged just to watch different productions handle the bloodshed and aliens.

    This would be perfectly at home on The Outer Limits, with just enough twisted black humor peppered throughout to keep it fun. An alien invasion aided and abetted by commercialism and consumerism. Knowing how our society is willing to swallow just about anything, this is JUST plausible enough to be relatable. I would love to see it staged just to watch different productions handle the bloodshed and aliens.