Recommended by D. Lee Miller

A comedic fun-for-all as Robert who keeps dying, his wife, who continues mourning and an inspector who continues inspecting rally to a fever pitch. Lots of laughs in this giggle-fest!

A very taut play about a vacation interrupted by a report of nuclear war, ALOHA APOLCALYPSE is a frightening, funny and well-written play by Marci Eppich-Harris. It flies by as fast as your last minutes would - and the human moments it covers are totally earned. Well done.

Here is a unique playwright - one in love with words with an active imagination! This absurd play takes one to a vaudeville-like timing and after a big, can put one in mind of the Marx brothers. Very funny - I can see props appearing and disappearing. Would be great to see this staged.

I can feel and smell the wet chill of this poetic monologue by David Patton. I can see the sun come in and out, the whales out at sea... And I have often stood in a similar place, one foot in yesterday and another in the present in my family history. If you want to breathe deeply, take stock, be comforted... this is the perfect monologue. Hats off, Mr. Patton.

'Skylar Chapin doesn't do well outside of big cities'. The Interior seems to project his insides to a mind-bending journey of a solo play. We follow Skylar through a nightmarish landscape to the tips of the end of his life -- Horror after horror brings us to a climax you won't see coming - the best kind! It's a thrill to accompany Skyler on this out-of-control nightmare!

'Splay-legged'. 'Ruminatin'.' Add some mince pie -- And did I fall in love with the folksy speech in MILLICENT AND MARLEE'S MINCE PIE MISADVENTURE or is the good heartedness that appealed so much to me? There is something in this play's portrait of a town where people and their habits are known and nothing isn't much unexpected - even death - that may seem quaint to a city slicker like me. But it's whole-hearted Americana is embraced as a lovely theatrical experience. I'll join you in that sherry, Ms. Lermond.

Another 'bench play' by Paul Smith brings us two fellows, one old and one young, talking to each other as strangers do. Two nice fellows with their own lives and problems that mirror the ups and downs we have in life -- that bring us in to their lives in a friendly way. It's the last moment that grabs you - that makes you re-evaluate all you've heard. A well-written play which turns out different than what we thought.

Two women have met at a park bench - but it is not a day in the park for either of them. We all have our problems and talking to a stranger about them can be strangely calming. The tonal shifts of this play bring us to a door we didn't think we'd be opening. A solid play that would chill any theatre-goer.

This haunting monologue shifts us to a place we rarely think about: a womb carrying an unborn child. The glimpse she has garnered of the world to date is a sad one although she knows she is loved. And she is no more. She has lived all the life she was granted - and was old beyond her days. Haunting.

A quick Covid play, expertly written with a twist at the end. Nice work!