Recommended by Michele Clarke

  • Michele Clarke: Terra Cotta, or What We Leave Behind

    Get ready. There's a gut punch of a twist at the end of this thought-provoking two-hander.

    Get ready. There's a gut punch of a twist at the end of this thought-provoking two-hander.

  • Michele Clarke: Song and Dance Man

    Debra Cole has created a new genre - Cringe Cute! This would be a terrific scene in a full-length about planning a wedding.

    Debra Cole has created a new genre - Cringe Cute! This would be a terrific scene in a full-length about planning a wedding.

  • Michele Clarke: Back From the Dead

    Well crafted. The production design challenge here would also be a delight for the right team.

    Well crafted. The production design challenge here would also be a delight for the right team.

  • Michele Clarke: Do Not Resuscitate: A Mini Play About The Able-Bodied

    The more controversial your point, the more levity you need. H. Avery offers a masterwork of criticism here -- a comical/absurdist setup with inept parents that unleashes increasingly piercing rebukes of the medical establishment, the emotional-support establishment, the charitable fundraising establishment, the torture-as-conversion-therapy establishment, the sterilization-as-ultimate-goal establishment, the patriarchy-indoctrination establishment, those who pervert the intention of DNRs, and more. Very skillfully done.

    The more controversial your point, the more levity you need. H. Avery offers a masterwork of criticism here -- a comical/absurdist setup with inept parents that unleashes increasingly piercing rebukes of the medical establishment, the emotional-support establishment, the charitable fundraising establishment, the torture-as-conversion-therapy establishment, the sterilization-as-ultimate-goal establishment, the patriarchy-indoctrination establishment, those who pervert the intention of DNRs, and more. Very skillfully done.

  • Michele Clarke: JACK AND JILL

    A provocative piece that will definitely get audiences talking.

    A provocative piece that will definitely get audiences talking.

  • Michele Clarke: Sandy's Gift

    ... but how did Sandy know about Emily and the green dress? This psychological thriller will keep audiences talking long after the performance.

    ... but how did Sandy know about Emily and the green dress? This psychological thriller will keep audiences talking long after the performance.

  • Michele Clarke: Schrödinger’s Highway

    Okay. Which theaters in Silicon Valley or Seattle are brave enough to stage this dead-on metaphor for the ostrich-head-in-the-sand 'morality' of autonomous driving executives, AI-industry executives, tobacco executives, etc etc etc. Just brilliant.

    Okay. Which theaters in Silicon Valley or Seattle are brave enough to stage this dead-on metaphor for the ostrich-head-in-the-sand 'morality' of autonomous driving executives, AI-industry executives, tobacco executives, etc etc etc. Just brilliant.

  • Michele Clarke: The Last Hooker

    Kick off your evening of Irish plays with this gem. Kevin is a master of the genre - the conflicting motivations, the irresistable colloquialisms, and ending with the perfect twist.

    Kick off your evening of Irish plays with this gem. Kevin is a master of the genre - the conflicting motivations, the irresistable colloquialisms, and ending with the perfect twist.

  • Michele Clarke: Like Crazy

    Bone chilling. Also, something tells me their evening isn't going to end well...

    Bone chilling. Also, something tells me their evening isn't going to end well...

  • Michele Clarke: I'm Not Wearing The Green Dress

    Ever wonder what happens right before all hell breaks loose in a dysfunctional family? Jillian Blevins knows. This piece perfectly captures the sibling dynamic in a dysfunctional home and then beautifully writes the defining moment when those siblings decide to go to war.

    Ever wonder what happens right before all hell breaks loose in a dysfunctional family? Jillian Blevins knows. This piece perfectly captures the sibling dynamic in a dysfunctional home and then beautifully writes the defining moment when those siblings decide to go to war.