Recommended by Michele Clarke

O'Grady gets everything out of the way of these powerful concurrent narratives -- the structure is simple, the lines come one at a time, the language is comfortable in the 21st century. It speaks volumes.

The rhythms are perfect in this look at the moments when life's biggest choices creep up on you.

Phenomenal. Vansant expertly leads us into one story (incredibly perceptive and dead-on work), reveals another, and that's when you realize she's dropped three huge societal questions in your lap. This also has the most effective use of projection I've seen yet. Good luck with your conversation with the folks you came with on the way out of the theater.

Intimate, raw and communal all at the same time. If you're looking for something inventive to kick off your night of queer shorts, this monologue is a great candidate. It kind of ends like an amuse bouche, right?

What a fantastic 10-minute, three-hander. With an inter-generational twist to boot. Great concept. Great execution. Evergreen. A perfect kick-off -- bc the young actress will have a bedtime :) -- for an evening of shorts. And does this mean Rachel and Ryan can date now or no?

Hilarious. A marathon of a monologue for an ambitious comic actor! It'll be tough to keep a straight face with the laughter coming from the audience.

An achingly real look at the deep conflict parents face when their child's safety is compromised. At a time when every child's safety is compromised..

Ready for some poignancy that sneaks up on you? Brent Alles' TIME IN A BOTTLE shares a magical, mystical, thought-provoking encounter that'll sit with audiences long after the house lights come up.

A meaty and jaunty three-hander, cleverly staged. By focusing on Bertha Morisot's intimate relationships - and leaning into sharp, intelligent dialogue - BOUQUET OF VIOLETS finds the modern relevance in a 100+ year-old turn of events, and celebrates the under appreciated talent of a rebellious young woman.

The only dilemma this funny take on sun-crossed lovers creates is where to put it -- your Valentine's Day shorts program or your macabre/Halloween lineup?