Recommended by Michele Clarke

I didn't want this scene to end. Would love to have a longer visit with these two characters.

An exceptional noir monologue - dotted with other characters and graced with the smoothest scene transitions. So much to play with here for the scenic and lighting designers as well as the director. There's a clever middle twist that sends you down a sure-footed path... until it doesn't. Your best actors will be fighting to play this twisted lead character/narrator.

An outstanding use of theater to explore both sides of a no-win dilemma. The audience is treated with respect and is assumed to be fully capable of understanding both sides. This will affect audiences in the best possible way -- prompt them to examine the "truths" that have developed in the aftermath of Sandy Hook.. and what, if anything, they want to do about it.

America is doing Capitalism wrong. And Aly Kantor gives us a sharp and vivid look at how our techno-pharma future will brutalize the most vulnerable among us.

There's a magical realism woven throughout this carefully crafted La Rhonde that's apparently still in development. The guidance for scene transitions is especially compelling. Definitely worth a read.

A delicious divorce melodrama. This would make a fantastic radio play.

There's something powerful about revenge by proxy. If you like Death and the Maiden, you'll love TEACHING A LESSON - it's a fascinating and compelling twist. Pro tip: Don't do anything to get on Debra A. Cole's bad side.

A very well structured mystery with terrific production opportunities.

This is excellent. A gift to a talented cast and production team. Timing is everything in this one. Also: I'm not crying. You're crying. ... Wow.

Ready for a guilty pleasure? This is a very funny (in a totally mean way) comedy sketch! I can see it on SNL, as a radio play -- so many options in addition to a stage play with this one.