“ Disturbingly effective horror short about a sex tape that should never have been and children who should have had nothing to do with it; the dread sets in immediately. The language (composed of a sort of discordant harmony and brutal yet stunningly generational honesty) begins the devastating tale and the tone encompasses us all like a cloud. Or mist. Or fog. Or smoke. Or smog. There is a full world delineated here with very few strokes on the canvas by Cassidy. There is an economy both impressive and terrifying. These characters strike directly into the nerves. Lights and diapers on. ”

“ The atmosphere a playwright feels in their heart/head is seldom without hard work achieved in the room, that is to say, the theatre. It's like constructing a greenhouse then claiming you've wielded Mother Nature. Hageman makes a jovial sports-like piece out of the searching for that component so elusive, so ethereal in 'Something Profound', while skewering gender tropes; it's both testament and homage to theatre-making. Her use of the technology available is challenging and appreciated. This meta-work of comedic half-fiction is more than worth accomplishing, as much for us as for them. Both of whom are in the play. ”

“ An age-old hunt is given a bait-and-switch by Jeanette Farr. The classic dynamic initially yields puns, innuendos, and euphemisms before using satire, militant and charging, to take Man down a peg and put him in his place, merciless and unconcerned if he ever actually learns what that is. Which isn't necessarily ever the aim of the gods. Very funny. ”

“ Let the actor who tackles this rehearse, rehearse, and immerse. Let the set be as close as possible to what Partain describes. The outcome would be hypnotic, a theatrically induced tachycardia. Beautiful and beguiling, terrifying and tragic. Partain's investigation into the limits of the self and of self-awareness here would make for a compelling and reflective evening on its own or as a standout segment in an evening of her work. ”