Recommended by Emmet L.F. Cameron

  • A Grave Mistake (a monologue from Pretty Birds)
    13 Apr. 2024
    The moment when a character is reports to another character an action they have taken that they do not yet understand the reasons for is always such an interesting place for an actor to explore. The audience can feel Maude listening on the other side of this letter, & perhaps pulling Florence closer to understanding herself as she imagines Maude's reaction.
  • YOURS EVER - THE RISE OF ISABELLA STEWART GARDNER
    13 Apr. 2024
    A carefully curated window into a part of art history I knew nothing about. I love the interplay between creating moments that will be recognizeable from the artwork itself & filling the space & time around those moments with life.
  • The Poignant Space: A Play for Femmes and Thems Who Aren't Quite Sure if They Exist Anymore
    13 Apr. 2024
    This play feels like sleepover pillow talk with your smartest, strangest friends. I didn’t know how much a play could feel like that.
  • When He was Young and Pretty
    11 Apr. 2024
    Young & Old become very specific characters while they enter the play as representations of their respective generations to one another. I'm reminded of the Pansy Division song "Obstacle Course." The play may only last 10 minutes, but I'll be thinking about these two -- & all the lost loved ones they refer to -- for a long time.
  • Pick Me Girl
    6 Apr. 2024
    I love a monologue with a clearly defined sense of place & time, & this one is so perfect. Amina builds a container to let out all her messy feelings & remove herself without a trace. But something tells me this *fucking man* is not going to forget her so easily.
  • Neither One Of Us
    4 Apr. 2024
    What a twist! A difficult play to review without spoilers, so I'll just say that there is a lot for the actors to play with re: the unspoken truth under the words before the big reveal.
  • Pretty Birds, Or the untold story of those history will remember as good friends (SAMPLE)
    30 Mar. 2024
    This play relies on that delicate balance that is so essential to works set in the past featuring characters who cannot be fully themselves within the standards of their society. Florence walks a fine line of being just saucy enough that her family & acquaintances read her as petulant & childish, while the audience sees that there is something more significant behind her discontent -- & so much more potential. At the end of these sample scenes I, much like Florence, am left wanting MUCH MORE MAUDE please!
  • Wheel of Fortune Reversed
    28 Mar. 2024
    This play has an openness that allows the actors & production team to BYO specificity -- which seems about right for such a universal & yet unknowable experience. The audio version on the Gather by the Ghostlight podcast does it excellently, & really shows off how poignantly these words bring us through Michael's experience with death, even in the absence of the play's visual elements. & yet there's so much more to explore in different possible stagings or recordings.
  • Camel Girl
    22 Mar. 2024
    Listening to this play on the Theatrical Shenanigans podcast, & then doing a little google research to learn more about Ella Harper, I was impressed how much of Harper's scantly documented life was reflected in this short script. You can learn a lot about a person in 10 minutes, with the right writer at the helm.
  • The Auden Test
    20 Mar. 2024
    The lecture being given by Auden is a powerful one in itself, made all the more so by the moments of private soliloquy woven through it. This emphasizes for the audience of the play how much Auden is unable to say directly to his audience at the 92nd St Y in 1954, even in the wake of such a tragedy as a great intellect & hero being pushed to suicide for his sexuality. This play happens in a very precise moment in the past, & it is very important right now.

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