Recommended by Claudia Haas

  • Claudia Haas: THE KNIGHTS OF DOOM

    This play is under the banner of “what unnecessary things we do to each other” - starting as children. False bravado, machismo, the “I’ll show them” mentality is explored through the lens of adolescent males. McCleland offers a glimmer of hope, he snatches it away and then teases with it. A moving exploration of how one kind word could change an outcome. Present this in high school, bring the epidemic of youth suicide into the light so young people can discuss their demons without fear.

    This play is under the banner of “what unnecessary things we do to each other” - starting as children. False bravado, machismo, the “I’ll show them” mentality is explored through the lens of adolescent males. McCleland offers a glimmer of hope, he snatches it away and then teases with it. A moving exploration of how one kind word could change an outcome. Present this in high school, bring the epidemic of youth suicide into the light so young people can discuss their demons without fear.

  • Claudia Haas: If the Shoe Fits

    Oh my, what a hoot. What a truism. What a grand way to be introduced to Cinderella. Wagner’s take on the tale is the way to go.

    Oh my, what a hoot. What a truism. What a grand way to be introduced to Cinderella. Wagner’s take on the tale is the way to go.

  • Claudia Haas: Held Momentarily

    Hayet delivers another absurd moment in time but all is probable. Playing with the superhero motif, crowd control, and villains, the play has many avenues. Many station stops. And many endings. Find them if you can.

    Hayet delivers another absurd moment in time but all is probable. Playing with the superhero motif, crowd control, and villains, the play has many avenues. Many station stops. And many endings. Find them if you can.

  • Claudia Haas: LIGHT

    “ I just want to act in plays.” And so it begins. The punishment of actors cast in horrid sit com pilots. Satire? Yes. Truth? Maybe. An original look at “behind the scenes” with maybe more truths than we theatricals want to admit.

    “ I just want to act in plays.” And so it begins. The punishment of actors cast in horrid sit com pilots. Satire? Yes. Truth? Maybe. An original look at “behind the scenes” with maybe more truths than we theatricals want to admit.

  • Claudia Haas: CoVid

    It shouldn’t be funny. It’s funny. Very. Timely. And if you are obsessed with news, you’ve seen this play pan out on the local level. Designed for an online production, the play will hit you where you live. Karekan gives us theatre when there is no theatre and gives us a lot to ponder.

    It shouldn’t be funny. It’s funny. Very. Timely. And if you are obsessed with news, you’ve seen this play pan out on the local level. Designed for an online production, the play will hit you where you live. Karekan gives us theatre when there is no theatre and gives us a lot to ponder.

  • Claudia Haas: Survival Strategy

    Hoke gives us a gentle reminder that humans are tactile, hugs are not always sexual and kindness is always welcome - even when awkward. As I read this “in the time of social distancing,” I note how many people miss closeness. It’s a highly theatrical play as you watch the moments change and will resonate with all audiences. Because Hoke found a truth.

    Hoke gives us a gentle reminder that humans are tactile, hugs are not always sexual and kindness is always welcome - even when awkward. As I read this “in the time of social distancing,” I note how many people miss closeness. It’s a highly theatrical play as you watch the moments change and will resonate with all audiences. Because Hoke found a truth.

  • Claudia Haas: George Orwell’s 1989: A “Swift” 10 Minute Adaptation

    Hayet always finds comedy comic gold. Relatable through all the generations, the play combines our pop culture with our culture of celebrity and then again with Orwell’s dystopian future. And it works!

    Hayet always finds comedy comic gold. Relatable through all the generations, the play combines our pop culture with our culture of celebrity and then again with Orwell’s dystopian future. And it works!

  • Claudia Haas: REACH

    Twilight Zone has met its match. Absurd, silly, sci-fi, cosplay - nothing is sacred here. And if you reach the Reach Motel - don’t over-reach. You may wind up with a room with a possum or these characters. Zany, nonsensical fun.

    Twilight Zone has met its match. Absurd, silly, sci-fi, cosplay - nothing is sacred here. And if you reach the Reach Motel - don’t over-reach. You may wind up with a room with a possum or these characters. Zany, nonsensical fun.

  • Claudia Haas: Imagine That

    Filled with illogic and absurd moments, Webb finds sense in the nonsense. Imagine That shines a crooked light on the nature of belief in our society and even when it is turns wicked, Webb gives us heart. The fast-paced, whacky moments build until you are so engaged, you’re rooting for everyone - especially the Alligator.

    Filled with illogic and absurd moments, Webb finds sense in the nonsense. Imagine That shines a crooked light on the nature of belief in our society and even when it is turns wicked, Webb gives us heart. The fast-paced, whacky moments build until you are so engaged, you’re rooting for everyone - especially the Alligator.

  • Claudia Haas: Mr.Picman (Short Play)

    Silly and sex. Cavanaugh brings them together in a myriad of imaginative ways. Just when you think you know where the play is going, it twists and just gets sillier. Mr. Picman provided me with much needed laughter and I so would love a second scene. The women’s roles are both gems. It’s a treat for audiences.

    Silly and sex. Cavanaugh brings them together in a myriad of imaginative ways. Just when you think you know where the play is going, it twists and just gets sillier. Mr. Picman provided me with much needed laughter and I so would love a second scene. The women’s roles are both gems. It’s a treat for audiences.