Jacquelyn Reingold

Love seems impossible when tiny Teena meets giant Eddie, especially when Teena's monstrous Mother insists Eddie's not monstrous Father keep their adult kids apart. But in this incongruous outrageous fairy tale crashed into a Borscht Belt feminist comedy, the opposite happens to all of them, and love changes everyone. With a climax in an unusual spot.

When TV writers go on strike, union solidarity clashes with mega petty jealousy, especially when it's f'ing hot on the picket line. And everyone needs a sandwich. And no one has a job.

Once upon a time there was a neurodiverse girl who had no words. She met an outcast boy who had no friends. They make their own language of love, friendship and ultimate betrayal as they journey through life with and without each other.

It's 1966, it's Brooklyn, it's Acapulco. Meet Doris, a soon to be divorced New Yorker, her frisky boyfriend who dyes his chest hair, a mysterious woman who’s really a man, her lying sociopath of a husband, a scheming laundress mother-in-law, and the Whore of Brooklyn. A swinging 1960’s comedy, except it isn't.

In this comedy, which starred Cynthia Nixon and Evan Handler Off-Broadway, Lily juggles the big issues: turning forty, artificial insemination and the elusive scientific Theory of Everything. Lily’s world includes an Icelandic comedian, her wisecracking best friend, a cat-loving physicist, her no-longer-suicidal father and an ex-boyfriend who carries around a chair. “A funny offbeat and touching look at relationships…an appealing romantic comedy populated by oddball characters.” —NY Daily News. “Where kooky, zany, and madcap meet…whimsically winsome.” —NY Magazine. “STRING FEVER will have audience members happily stringing along.” —TheaterMania.com. “Reingold’s language is surprising, inventive, and unique.” —NYTheatre.com. “…[a] whimsical comic voice.” —Time Out NY.

When Tish, bar dancer, loses her best friend, she becomes obsessed with who killed her and why. From the past to the present, in and out of Tish’s mind, topless bar, to a hustler’s apartment, to the middle of the street, she tries to put the pieces back together. “The mysteries of life, death and survival in the city, of friendships among women and relationships between the sexes are explored… the playwright displays admirable talent and generates plenty of interest, tension and ideas.” —NY Times. “…an authentic and authentically theatrical voice…” —Variety. “Taut and tawdry suspense drama…” —Daily Record.

A one-act. How do you tell your best friend the one thing she doesn't want to know? Two women in their 40s-50's. With love, forever.

A tiny woman meets a nervous man in an airplane. An impossible yet romantic comedy while flying and dancing in the clouds.

It's a bar in post Katrina New Orleans. Joan, white, 40s, from upstate NY, meets Darnell, 20s, Black, a local, and wants him to help her find a job as .... dancer. In a bar. In New Orleans. A comedic drama with a political heart.

Lila and Daniel, together for decades, are actors in their 60s/70s. When he comes home after another failed audition, Lila is kicking him out. Surprise. Then another surprise. Then another. A short comedic drama about love and commitment.

Nine short plays that have been produced in NY at Ensemble Studio Theater, Naked Angels, HB Playwrights Theater, Actors Theater of Louisville, across the US, and in London, Hong Kong, Lima, Berlin. Included here: 2B (OR NOT) 2B, (1m 1w) where a woman who falls for a bee; FOR-EVERETT (1w 2m), a bittersweet memory on a beach; JOE AND STEW’S THEATRE OF BROTHERLY LOVE AND FINANCIAL SUCCESS, two theatre-loving cockroaches at the end of the world; DEAR KENNETH BLAKE (1m 1w) a Cambodian immigrant who proposes to a homeless man; TUNNEL OF LOVE (2m, 4w); a woman without a vagina—who gets one.

When 20something Andrea tries to buy a newspaper in New York's '90s East Village, from Aldrich, two women's lives will never be the same. “Gripping... the revelations rise from the amusing to the hilarious.” – The New York Times “An extraordinary play... unforgettable.” – Back Stage “Really terrific.” – The New York Press

One-act. Five young women embody the thoughts of one, surviving her boyfriend’s leukemia.