“ Wow - just read this and I’m blown away. It’s heartbreaking but not the hard read I was expecting. It flows really well, and the three characters are so well defined. And really brave of the playwright to be so honest with all of the emotions her characters go through. ”

“ I avoided reading this play with its hard edged title knowing how tough, how "dark" a read it would be. Now I sit seconds after in the flood of feelings raised in reading it without regret and proud of Goldman-Sherman bringing this story "on stage..spotlighting women." The things we ignore, avoid and/or try to forget --as Goldman-Sherman depicts visually, psychologically and musically in this beautifully and hauntingly crafted play-- never truly resolve themselves until they are faced. Strong staging and lighting possibilities. Produce this play. ”

“ A gripping, harrowing, and at times unsettlingly comic exploration of recovered memories of childhood sexual abuse. I was pulled along headlong by the currents of truth and pain that underlie every page. And celebrated the final journey to wholeness that concludes the play. ”

“ Seeing as how so many people have recommended this play, I doubt I can add much more, but I'll try: this play is mesmerizing! Scarce was the page I didn't gasp, laugh, or have some other visceral reaction. As formally inventive as "Three Tall Women", this takes the one-woman show to a whole new level. While reading it, I reflected on the core of sex, love, personal transformation, and what it means to create, and let go. Emma is among our most vital artists: her writing is on fire; it has fur, and screams, and weeps, and prays, and dances. ”