“ I avoided reading this play with its hard edged title knowing how tough, how "dark" a read it would be. Now I sit seconds after in the flood of feelings raised in reading it without regret and proud of Goldman-Sherman bringing this story "on stage..spotlighting women." The things we ignore, avoid and/or try to forget --as Goldman-Sherman depicts visually, psychologically and musically in this beautifully and hauntingly crafted play-- never truly resolve themselves until they are faced. Strong staging and lighting possibilities. Produce this play. ”

“ A gripping, harrowing, and at times unsettlingly comic exploration of recovered memories of childhood sexual abuse. I was pulled along headlong by the currents of truth and pain that underlie every page. And celebrated the final journey to wholeness that concludes the play. ”

“ Seeing as how so many people have recommended this play, I doubt I can add much more, but I'll try: this play is mesmerizing! Scarce was the page I didn't gasp, laugh, or have some other visceral reaction. As formally inventive as "Three Tall Women", this takes the one-woman show to a whole new level. While reading it, I reflected on the core of sex, love, personal transformation, and what it means to create, and let go. Emma is among our most vital artists: her writing is on fire; it has fur, and screams, and weeps, and prays, and dances. ”

“ FUKT pulls no punches. A gritty, honest play about trauma from abuse, coming to terms with it, and forgiving your past self. I was fortunate to catch a virtual reading not too long ago, and I look forward to seeing it onstage! ”