Recommended by John Minigan

So much in one minute—hard truth, and real talk about dogs. And the speaker is right—as the past few years have told us, there are some places people probably don’t belong. Clear and compelling!

Ever tried to leave the job from hell? This hilarious short captures the experience in five minutes, but leaves you laughing for longer. Great specificity in the characters, comic timing that works even on the page, and the tough truth that it's fiendishly hard to get out of a soul-sucking job. Parts of it will stick with you. Brilliantly funny work!

Terrifying, rich, intense, and hopeful! The piece immediately establishes a compelling personal and theatrical world, shifts surprisingly and elegantly into sc-fi/horror and ends with more than you hoped would happen.
Don't run from things you fear, take things slowly, connect in the real world, and miraculous things can happen. Lovely work!

Only the brilliance of a writer like Steven G. Martin can have you howling with laughter and cringing in recognition--somehow without ever taking a breath.

Oh, wait, I guess 2020 can do the same! Which is an even greater testament to how well this short play works.

Password packs a punch. Yes, the immediate past was awful; yes, we all want to escape it; no, we haven't yet figure out how. I guess it's time to rage-trash some furniture...

As Bradley says in this surprising and delightful twist on noir, "None of us are ever just one thing." It's an apt description of this play, too. These two characters start in expected places and end up somewhere completely different. It's a thoroughly beguiling bit of work -- all the foreboding of noir, mixed with a sense that hope for human connection can happen even in a dark & stormy encounter.

Affinity Lunch Minutes is a sharp look at the way predominantly white institutions - even/especially those that espouse liberal values - recapitulate supremacist structures. The brilliance of the play lies in the way it shows us how systemic failures impact the lives and choices of the individuals involved. Ben's wrestling with his connection to the institution and its goals is powerful and, at times, heartbreaking. The personal and political mirror each other, pulling us deeply into the individual and structural issues. Great, complex roles, and exciting design challenges in the interludes.

This is a stunning, deeply resonant play. What begins as a charming grandfather-grandson play about a baseball tryout quickly becomes a powerful story of how love can help us manage grief and reconnect after loss. A gorgeous short play with outstanding roles for both performers.

This play has so much to say about parenting, marriage, what we owe each other/our kids/our parents, and it says it unflinchingly--especially during a pandemic, but it's truths are about more than that. An outstanding short play that uses the zoom/virtual format brilliantly.

A corn dog (or is it Corn Dog) has an existential crisis. Hilarious, deep, and ultimately deep-fried.

And there's a stage direction about a stick that may rival "Exit, pursued by a bear."

This is a joy to read, and an actor would have a blast performing it!

If and when the world ends, it could never be as brilliant, hilarious, and biting as it is in this two-minute gem of a play. And it may find us doing what Stella does, fiddling (with our phones) while everything burns. In deft strokes, Steven G. Martin gives us in Stellan, Stella's sib, who in other circumstances and with a different café companion, might have a chance at awareness. We see in him a glimmer of hope too quickly extinguished by a hashtag and a dash of foam as much as by whatever falls from the skies. Outstanding work.