Recommended by Paul Donnelly

Well that had my heart in my throat from beginning to end! Carnes creates a suspenseful narrative with a sympathetic central character and two monstrous, but credible antagonists. As the threat to Margaret escalates the horror grows more gripping and inescapable.

John's miscalculation leads to an awkward standoff at what was meant to be a sentimental parting. This couple is refreshing open about their sex and sexuality, yet their exchange is full of tension. We are left wondering how much will John really miss Shelly. John and Shelley are most engaging characters in a most engaging play.

A man predisposed toward loneliness finds his loneliness expands exponentially at the start of the pandemic. Otis's rationalizations and his coping strategy are touching and believable. This is a gentle and compelling portrait of a man and his jelly beans.

The lightening fast banter really propels this piece forward and engages the reader/viewer. Natasha is a towering comic creation and Joel grows into a worthy foil. Although Natasha should be very wary around a man who likes pineapple on his pizza.

Credible and compelling, especially in the current political climate where padded resumes seem almost to be the norm. George Santos is but an extreme example. The stakes are high here and the tension rises throughout. We know finally that a bomb has been dropped even if we don't see the full consequences.

It's only as the final twist plays out that it becomes clear how really high the stakes have been all along. Every level of Phillip's betrayal is progressively more horrifying and gripping, as is the conclusion to this spellbinding piece.

This is a simply and utterly devastating play. And I mean that as a salute to its power, its craft, its gripping narrative. The harrowing loss of a child is made all the more horrific by the discovery that the child's identity and their physical person have been violated. What is also devastating is the way that this play functions as a cautionary tale. The seizure of power by religious extremists and the erasure of trans people seems entirely possible in our current political climate. I say this as one who lives in Florida.

Don't mess with Rosencrantz girls! This play has a wacky set-up that pays off beautifully thanks to the clever use of Shakespearian quotes and the anachronistic setting. And then there's Biff Bottom ...

There's more to this neighborly feud than meets the eye. The twist ending is a delightful surprise. This play offers a field day to actors and audiences alike.

Kniess pulls off the creative high wire act of a comedy about grief. The grief is as authentic as the laughs (of which there are plenty) and the racoon is hysterical while also serving as a talisman of a widow's loneliness. This is a play of great warmth and humor.