Recommended by Paul Donnelly

Although her hurt and frustration are real, I don't think Ellie was ever a real danger to the swans. The re-emergence of the bond between Ellie and Violet is tenderly wrought. And maybe swans are good role models after all.

What a wistful and compelling reminder of the enduring pull of lost love. The bench offers a concrete reminder of the good times that may be past, but are never lost.

Regina and Maria seem to have differing views of Chekov until ... gasp ... his gun is introduced. It is amazing how many laughs can be wrung from a simple premise in so short a time.

Michael doesn't want to face the facts of aging. Will is there to patiently and bemusedly lead him back to reality. Their back and forth, while stuck in their apartment by an elevator shut down, is witty and laced with shared history and tenderness. They are such an enjoyable couple that it was almost a shame that the elevator started working again and allowed them to get on with their day.

The conventions of the Ouija board trope are turned on their head in this demonically funny play. To say more would be to introduce spoilers and nothing should interfere with the fun of discovering this witty and enjoyable narrative on your own.

The delightful interaction between a theatrical ghost and a theatre owner dealing with the isolation imposed by Covid is tinged with melancholy. It ends, though, on a note of pure uplift.

A powerful and compelling exploration of the nature of creativity, of collaboration, and of character development. What is more exhilarating and terrifying than the moment when one's characters take on a life of their own? This moment and its repercussions are at the core of this smart, witty, and ultimately moving play.

The intersection, and perhaps the dichotomy, between art and love is movingly explored in this always compelling play. Complex choices and why they are made are at the core of the narrative. How to simultaneously honor and release the past is Nick's dilemma, one he addresses through interactions with three other equally well-drawn characters. The resolution feels both satisfying and earned.

It's such a shame that the truth is so painful. But the painful truth of corporate and societal misogyny is dissected with great wit. All I can really add is Run Rebecca! Run like the wind!

Coming out later in life can have unique challenges. Coming out when you are the host of a beloved children's show raises the stakes exponentially. The bigotry and vitriol Uncle Lou faces ring unfortunately true. He deals with the repercussions - personal, professional and political - with initial confusion and ultimate grace.