Class C by
5 Jun. 2023
“
This play is the most effective use of dystopia I have read for the stage. Martin introduces what at first feels like a familiar hypothesis for (fascist near-future USA a la Handmaid's Tale) and then continues to expand it in all directions, giving it a new spin. The play is wryly funny at times but largely manages to keep you at the edge of your seat with constant distrust and tension. ”